Incomprehensible Aesthetics of Violence

Bridgette 2022-04-19 09:03:06

Just because of the limited number of short comments.

Even after seeing my wife and Pago, I immediately took over the desire, and I was a little bit disappointed when the style of painting changed.

The continuous fragmentation and flashback skills are very cool at first. There are often three scenes switched at the same time, and each scene will have some interspersed and connected, the emotion of this scene can be seamlessly connected to another scene, The parallel emotions such as screaming, roaring, fear, etc. are interspersed, and there will be a certain effect that superimposes more than the original emotions, but it makes people look tired.

In the case of the plot (there is no plot), missing drugs, bullying, aided dating, bloody violence, revenge, redemption? So "craving" wool? All characters are sick, and literary works are meant to magnify the problems existing in society, but I feel that emotions are too much.

Especially this male protagonist, who is simply sick, his health is over the table, no matter how he fights and kills, he still kills all the way to the end. I didn't know that he was so excited that he had never cared about his daughter's life or thought about her feelings calmly. It's just irritable and violent, so I have a feeling of "Is it really necessary?"

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Extended Reading
  • Carey 2022-03-19 09:01:10

    Comment on "Desire" in one sentence: Tetsu Nakajima not only robbed the theme of Sonoko Wen, but also robbed Sono Ziwen's royal actors Kurosawa Asuka and Nikaidou Fumi. When I came out, my ears were cut off, but unfortunately I lost control. Form is greater than content, blood and violence did not solve the character's character problems and psychological trajectory, and a bunch of good actors were wasted in vain.

  • Bernadette 2022-03-19 09:01:10

    Numerous hand-held close-ups, accompanied by restless quick edits, match the theme of destruction and revenge, and dimly flash in the complex flashbacks. In particular, I like the embedding of dreams. Love is a phoenix that flies into ordinary alleys and picks up the heroic dream of a tired life. The difference between praise and criticism is that the front part is gorgeously built, the back part is empty and empty, the quick cut is eager to win, the process gradually becomes lax, and the narrative is thin, and the effect is skinless and boneless.