Wentini explained for the first time: Berlin's boring history, but when Wentini asked the people who came to listen to the explanation, "Who knows where XXXX (a place) is today?", which happened to be the coffee where her ex-boyfriend was. The pavilion has changed from an architectural model to a virtual image of reality, and when I look at it, I just want to "fuck it". Second commentary: The boring Humboldt meeting. Christopher listens to Wentini at Wentini's house. The last sentence is "Modern buildings have ancient functions, but people think they are the same function (probably the meaning, I really don't remember the original words)." This corresponds to Wentini's experience of knowing Christopher, it will be very clear Feel that it is a metaphor: Wentini met Christopher on the day she broke up with Johannes. Christopher may have been the modern building that the Humboldt Conference decided to rebuild at the beginning, which also paved the way for the later plot, hear I was shocked when Wentini said the last comment. The third commentary: After the miracle rebirth of Christopher, who has been declared brain dead (because this movie has a strong mythological color), I went to the History Museum to find Wendini, but she was not there. Looking at the city miniatures, Christopher thought of the days he spent with Wentini in the past, echoing when Christopher first met Wentini. These are my favorite things about this movie. At first, I didn't think the female lead was particularly good, until I saw this looking back, which is why I used it as a movie poster. Later, in that "non-existent call," "Christopher" said to Windini: "We met a couple and you looked back at the man and your heart skipped a row." Facts On, the day before receiving this call, Christopher had already had a diving accident, and this call was connected with Wendini in the myth, so Wendini killed Johannes who betrayed her, Back to the water story. All in all, it's a very evocative movie, good in every sense, and the soundtrack has a good atmosphere.
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