The reason why a good literary and artistic work is moving is that it builds a bridge of "empathy" for people inside and outside the story. In this film, all the details of life, the words and deeds of the characters are very real, there is no sense of disobedience, every plot is not redundant, and every frame is so ironed, full of sense of substitution. The sadness is light, the warmth is strong, the happiness is mellow and thick, and it wraps people layer by layer. Li Zhangxuan, a male screenwriter in his 40s, is the first time to be a director. How could a man have such a gentle perspective and delicate techniques? How can you make such a beautiful film? I don't know how much homework and preparation he did before shooting, and how much effort the main creators put in to achieve such a result. I think this is the embodiment of the ultimate craftsmanship in film and television. The plot of "See You Now" contains a lot of old-fashioned gimmicks: the loss of a wife, a mother, a husband and wife who are both sick and time and space staggered... But the amazing thing is that all these are mixed together, but completely There is no vulgarity out of life. The screenwriter/director has been doing subtraction, subtracting all the intense drama conflicts, and subtracting all the details, only to push the life of a small family after the loss of his wife and mother to the audience.
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