The background of the entire climax of the film is set on a green-skinned train heading for the hometown of Silly Root. It can be said that Feng Xiaogang used the limited space and time to tell a crime story with a little dark humor. The highlight of this story is not the theft The gratification that the gang was finally dealt with was due to the fullness of the image of these thieves. One of the most interesting is the role of milk tea.
There is an abyss behind everyone, and we cannot confidently say that we know him thoroughly, even for the person closest to us. Because people are always complex, there are always some inexplicable things deep in human nature. They may be difficult to detect in daily life, but some moments can also be captured in our actions. We cannot find a specific appropriate word to describe these things, nor can we give a normative evaluation. All we can do is to describe them as much as possible for speculation and experience.
The complexity of Wang Bo and Wang Li in the movie is that they are thieves and fraudsters who make a living by defrauding other people's money. In real life, it is difficult for us to have a positive evaluation of such people, but in the movie , we hate them. Wang Bo, played by Andy Lau, doesn't have the feeling of being a thief, but instead is full of toughness and courage; Wang Li, played by Milk Tea, is gentle but persistent. In order to protect the 50,000 yuan of the silly root who has only one side, Wang Li did not hesitate to turn against Wang Bo, which seems very puzzling. An explanation is given in the movie: Wang Li is pregnant. At the end of the movie, Zhang Hanyu asked Wang Li and Wang Bo: I don't understand, why are you two thieves trying so hard to protect the 50,000 yuan of silly roots? Milk Tea's acting skills when answering this question conveyed the sourness, struggle and firmness in Wang Li's heart. She said: "I'm pregnant and want to do something good, it's that simple. The answer is sincere, but also not sincere. The fact that she was pregnant is not the whole reason for her transformation. I think for Wang Li, her protection of silly roots has a deeper symbolic meaning. It symbolizes her complete break with her past life. The stronger the dispute with Wang Bo, the firmer her determination will be. The new life in her stomach urges her to constantly reflect on her own life. The life of a thief is not only full of risks and instability, but also always subject to the questioning of her own conscience. A small part of her life has been like this. Those who come can still follow. The arrival of a new life makes Wang Li more eager to reshape her life and meet the future with a different appearance and attitude. Maybe for the movie, the wonderful thing is not Wang Li's transformation, but this is what touched me the most. It has always been thought that part of human dignity, compared to other beings who have to go with the flow, is being able to be the author of one's own life; no matter how we were born, no matter how bad choices we've made in the past, if we want to, we can. With enough willpower, you can change, and the final result may not always be as people want, but just because of this decision and action is enough to define a special self, composed by yourself, not entirely by the outside. Environment shaped self. What impresses me about Wang Li is that although she has been forced to become a thief in the past, when an opportunity comes, she can bravely take a step forward and use her will to build a different future for herself. In this future, She is no longer a thief who hides and flees, at least in her future memories, she has also sincerely maintained a person's kindness.
In fact, this movie has a lot to write about, but I chose such an angle. With my current skills, I didn't write it in depth, which was really embarrassing. But the reason why I still insist on writing from this angle is to solve a doubt in my heart: why people or things that are easily disgusting in the real world, if they are pushed farther away, especially in works of art, instead of Will it be more romantic? I have seen some similar movies before, such as "Across the World", "The True Color of Heroes" and other works with gangsters and thieves as the protagonists, why are they more attracted by their lives than to make moral evaluations? ? After all, gangsters and thieves are more likely to be disgusted in real life. Maybe my confusion is unnecessary. After all, art works are always more exaggerated, which will inevitably produce some mysterious attraction; but this answer is always unsatisfactory. It seems to say something, but it seems to have everything Not to mention, I happened to read a point of view in Mr. Zhu Guangqian's "Talking about Beauty" today, which may provide some inspiration: "Looking at things with a practical attitude, they are only tools or obstacles in real life, and they can only arouse disgust or Desire. To see the beauty of things in themselves, we must jump away from the practical world and appreciate their own images in the spirit of "doing nothing"." Maybe the next time I watch a similar movie, I can feel at ease He treats himself as an outsider, separates the behavior of characters from the complex social beliefs and concepts of interests and interests, and tastes the beauty presented by works of art more leisurely and at a distance from real life.
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