But in my opinion, even one's own existence requires such extreme premise, let alone realization, even if such a daydream is not done. Silly root shouted at the station, "Who is the thief, it's the thief, stand up for me, you see, no one has come forward, there is no thief here." It's just a joke, it's too much of a drama, and it expresses the theme of the movie so bluntly, as if the director has some Guilt. In fact, this is the place where the kung fu of the thieves is tested. No matter how you hide it, you can tell the fat and thinness of the lamb at a glance.
Wang Bo poignantly said, "Why is he not defensive? Why can't he be hurt? Why? Is it because he is innocent? He is stupid? Why do you want him to be stupid? Life requires him to be smart. As a person, If you don't let him know the truth of life, that is deception. What is great evil? Deception is great evil" is a fallacy, but it is also a fact.
Silly root's hard-earned money should not be stolen. The thief and his wife found out in their conscience that it was understandable to let him go and even draw a knife to help him, but Wang Bo finally took his life, as he said, "I am not Jackie Chan, I have 100 lives", why does Shigen get such a big dedication from others? Because he is innocent, he is stupid?
This is also the reason why I despise
So I really like Wang Bo. He is not ignorant and fearless, but he puts down his butcher's knife and becomes a Buddha on the spot. More importantly, he is a master of art and bold.
Wang Bo began to pat the BMW car and said to the security guard: "If you drive a good car, you must be a good person", suggesting his cynical side; even though he quarreled with his woman, his true feelings were beyond words; although his unique skills were often shown in phantoms, It has the style of the "Gambler" series; when he learned that Wang Li was pregnant, he devoted himself to helping her fulfill her wish until she was killed. In short, she was very manly and very kind.
If I use Yuji's provocative writing style to write my impression of Wang Bo, it should be like this: as the crowd slowly dispersed, returned home, woke up in the middle of the night and sat alone, that scene still resurfaced in my mind for a long time: he sent After leaving the pregnant lover, he returned to the narrow roof space, crouched on the ground forcefully, and said firmly, "Can you handle me?"
Although Wang Bo's intimate partner, Wang Li is obviously not skilled. Only women's primitive weapons can be used to seduce and extort big money, save Wang Bo from danger, and of course console him. The thing is that she will go next, but she only knows to call Wang Bo for support besides showing the bag to the fool.
In my opinion, Wang Li and Xiao Ye represent the two kinds of sexuality that men of literati have had towards women since ancient times, just like what a senior official at Ximen said in the movie "Jin Ping Mei": "I like two kinds of women, one is the one. One is when I see her and I think about her, and the other is when I see me, and I think about me."
The two images of YY have in common that they are beautiful and depend on men, but they are completely opposite in connotation. The former requires kindness and incompetence. The latter point is especially important. Practice martial arts will make your legs thicker. If you read too much, your eyes will be shortsighted. The other is seductive and cunning, allowing men's instinct to overwhelm their reason, with the urge to moth to the fire, and the fantasy of being able to control them. Even the wise are no exception, just like Uncle Li muttered to himself in this film: I'm careless, I'm careless. Rene Liu and Li Bingbing just have such a temperament.
The role of Wang Li can be compared with "Kill Bill", the female killer played by Uma Thurman found out that she was pregnant and went into seclusion to get married and have children. Later, she could only rely on herself for the road of revenge, killing her enemies with a single knife.
There are two scenes in that film that are very feminine. One is when Uma was waiting for the results of the pregnancy test strip, when the enemy female killer attacked and the test strip fell to the ground. The two confronted each other with guns, and Uma cried and begged the other for help to read the test paper, but the female killer complied and left, not forgetting to congratulate her. In another episode, Uma broke into a black woman's house, and the two sides fought a lot. Suddenly, the hostess's daughter came home from school. The two immediately put away the guy and politely introduced to the child: Mom has a friend visiting Yunyun.
If Wang Li has half of Uma's skills, secondly, Wang Bo's half of skills, and worst of all, half of Xiaoye's skills, then Wang Bo most likely won't die, and Uncle Li, let alone taking money, is not necessarily alive or not. With Uncle Li's wisdom, he was still thinking about the 60,000 yuan when he ran for his life.
Uncle Ge's acting skills are still classic. The so-called master is not about letting go, but holding back. In the final duel, Uncle Li calmly replied "I want to try", which sounded very flavorful. Most of the classic dialogues come from Uncle Li, and a thief actually acts like a local cadre. In fact, every "industry" has a tendency to deify itself and degrade others, but to maintain its operation, one can't rely on these vain things, and the "technical content" is not enough. There must be some effective rules of the game. .
Uncle Li looked down on robbers, but if the robbers were equivalent to migrant workers, he was at best a senior blue-collar worker, but not a successful manager. Since getting on the bus, Uncle Li's team has lacked cohesion: the division of labor is unclear, communication is poor, the administration department and the COO (Chief Operating Officer) have openly clashed, and ordinary employees (four eyes) only know how to act recklessly. No wonder Uncle Li lamented: "organized, undisciplined", "What is the most precious thing in the 21st century? Talent!" In the
end, Xiao Ye betrayed Uncle Li, maybe I fell into another cliché, in short I feel very sorry. Wang Li can exchange herself for Wang Bo, but why can't Xiaoye exchange herself for Uncle Li? The good people present here may not have had a flash of thief's heart. All thieves are not born thieves, and there will be a line of conscience somewhere in their hearts. In this sense, there is a real world without thieves.
In the end, Wang Li ate the roast duck vigorously, and the police (why should I say that again?) walked in very nonsensically and told her not to wait. After the police left, Wang Li continued to eat roast duck vigorously while crying silently. Wang Bo was gone, but it became Liu Ruoying's best performance in the whole film.
Even if the director wants Wang Bo to die, he still refuses to pierce the fool's dream, so why does he want to break Wang Li's fantasy so cruelly? At the end of "Dark War", one of Andy Lau's best works, Meng Jiahui was in a daze on the bus where she and Andy Lau met. Liu Qingyun recognized the 80 million gem on her neck and knew that Andy Lau was dead, but told her that , I don't know when he will suddenly come out and startle you!
I'd rather silly root be a child, then his innocence and Wang Li's transformation are more reasonable and meaningful. Some returnees wrote an article saying that an old foreign woman would never run a red light even if there were no pedestrians in front of her. She was worried that children might see it in the window on the side of the road. If they followed suit, they would bump into people when they grew up. The police finally said to Wang Li: "When the child grows up, tell him the truth, it's not ashamed." This is not just a matter of face. If the director has confidence in human beings, he is not afraid to let children see the darkness and brilliance of human nature at the same time.
Feng Xiaogang once said in a media interview: Humor is a labor attitude, and he solemnly put this sentence on the title page of "I Dedicate My Youth to You". Chinese people have inherited five thousand years of sophistication from birth. According to the teachings of Confucianism, as a common man, he has to shoulder the rise and fall of the world, but in fact each person is just a grain of sand in a unified country. This powerless struggle cannot be resolved in a vision of heaven or an afterlife, so it is only rhetorical.
So the literati released such harsh words as "I have attacked the history of the scriptures since I was a child, and I have a plan when I grow up. Just like a fierce tiger lying on a barren hill, lurking minions endure it"; , but the lord of the hall to greet others. With no culture and a head to eat, I can only grin, get a momentary relief from the bleak reality, and do what to do after laughing. That's what makes Feng's comedy so appealing.
But starting from the film
is said to have used more than 600 stunt shots, which shows the intentions of the crew, but compared to Hollywood, it still looks like a child. The film still has the power to make buzzwords, but it doesn't make for a worthy topic of discussion.
One of the common traits that Chinese directors do not like is Zhang Yimou. They once stood among the people consciously, but once they became famous, the very noble and pale things they once resisted began to swell, and they began to swell. The lively figure was pressed into nothingness, and his face was bloodless.
Maybe only Xing Ye is still insisting on singing the ode to the little people. The stars of "Kung Fu" are ugly and stubborn. They are forced to be anxious, but they all have unique skills and rise up to beat the gang to the ground. "The greater the ability, the greater the responsibility, you can't avoid it", this is another explanation of "there are no thieves in the world", it is difficult to do, but the direction is good.
The difference lies in whether the object of YY is oneself or someone else. If there is no ideal in life, what is the difference between it and salted fish? But in public, if a stranger approached, I would instinctively press down on my pocket.
2004.12.30
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