It all started when a woman emptied her home and took off the ring on her ring finger. Maybe the husband died, maybe the divorce. She left her life in the Netherlands alone and started wandering with a backpack on her back.
This scene can't help but remind me of Agnès's "The End of the World". I
can't help but say that the blue sea, the blue sky, the blue tent and the blue eyes of the heroine. The imagery in the cold Irish air and clean, mysterious soundtrack is simply stunning.
LONELINESS [loneliness]
wandering is difficult, although Ireland is picturesque, people are animals after all, they need to eat, drink and rest.
A picture shows her looking for food in a trash can.
A picture is of a well-meaning woman trying to help her but being choked by her.
Do you need help?
Do not. How about you?
I can't help but say that for the first half hour, I used Ana of Urzula as Mona of Agnes. The two homeless girls with different reasons for leaving have similar temperaments. I just complained that Urzula's Anna was a little old.
The part of the highway hitchhiking is good. The picture focuses on the strong and furry arms of the male driver and the uniform grove outside the car window. The big thing is not good.
Anna found the hut hidden in the woods, the hermit's home.
The good music and the clean white sheets in the sun inspired Anna's nature and inspiration. Leaving a clip of her undressing and enjoying herself on the bed.
THE END OF A RELATIONSHIP [Termination of Relationship]
Food for work
Because of the blow, Anna left her life, exiled herself, and escaped mental pain. The hermit lover passed away and lived alone on this uninhabited island. Unlike Anna's exile, the hermit's loneliness is higher. Anna's loneliness is intense, and extreme emotions don't last long.
I once read a prose poem by Gibran called "Two Princesses" that may be somewhat appropriate to describe Anna. -
"I hate my husband, I'm the most unfortunate woman in the world."
"The truth is that you love your husband. Because you have an unspent passion for him."
Martin taught Anna to grow vegetables and dred mud , catching seafood, drying kelp, hunting, and keeping Anna with a working relationship. When Martin is curious about Anna's past, Anna forces Martin to make a promise not to inquire about her by leaving.
Martin: ------Well, I'm not asking about you, nor about myself.
Two people have been together for a long time, and it is inconvenient to have no name, so Anna asked Martin to call her "YOU".
There is no shortage of tranquil blues and reborn greens throughout the film. With the red dots in the living appliances and the swaying red in the leaves on the outdoor trees. It makes people feel the warmth of getting along with people, which is very beautiful.
Once Martin saw Anna's blue tent shaking violently in the wild wind, and decided to take her home and let her live in his deceased wife's room.
I almost cried seeing this scene, I think my "Mona" can finally not die.
Martin, who is not very talkative, recorded a disc of Anna's favorite opera as a thank you. The tape was put into the Walkman, and the opera in the movie followed. The pictures were played frame by frame, and the green vegetable garden was stranded in the drizzle. A boat on the shore, a row of clothes hanging in the yard, bread, milk and a coffee pot on a red plaid tablecloth, and potatoes that are steaming and ripening in boiling water. All sing the quiet and beautiful life.
I think Anna was moved at the moment, so she made "simple and complex" potato cakes as a thank you to Martin.
This section also likes the arrangement of the kettle on the writing desk in Martin's deceased wife's house, which gives people a feeling of waiting for Manna to welcome Manna's piety.
MARRIAGE [marriage]
Anna moved into Martin's house, Martin made her breakfast, she ironed Martin's shirts. Martin felt uncomfortable and Anna took care of him all night. Started to have ordinary conversations in life. read books. Go in and out of public places together.
In this paragraph, Martin said a lot of philosophical things, such as can you stop the reed blower? I can't. Nothing really disappears into the books, everything continues to exist in the human world.
In Anna's view, this may be more than right. Ever since she embarked on a lonely and dangerous wandering journey without hesitation, did she ever think that she would meet such a Martin?
Martin, who was also suffering from loneliness, quietly treated Anna's heartbreak, making her hard-hearted, self-enclosed heart slowly melt into warm love.
From the first time Anna dined with Martin and casually asked about Martin's favorite color, Martin laughed, and Martin replied that I think it's a personal question.
The script is written here, and I feel that it is true, good and beautiful enough. It just didn't end well.
Inspired by Douyou, I feel that I use Byron's sentence: all tragedies end with death, and all comedies end with marriage. Couldn't be more appropriate.
As soon as the happy atmosphere of the dinner was over, the picture became heavy, with a large area of blue, a dark night, Martin's serious face, and low music.
THE BEGINNING OF A RELATIONSHIP [The Beginning of a Relationship]
A gunshot was the most accurate expression of Martin's attitude towards Anna. Maybe he felt that Anna had been in this picturesque place long enough that she was capable of returning to the city and to her true friends and family.
So he gave Anna what she once had in her hands, and said: Here, no one will find you.
Here, Martin said the most philosophical words in the play, and I think it is also the Polish female director Urzula's own thinking and expression of the meaning of life.
A: I don't want to.
M: Why? You are very beautiful.
A: I just don't want to.
M: Then what do you want?
A: I want to be like you, reclusive, on a desert island. See no one, don't speak.
Anna undressed. This little episode simply hinders the logical coherence of their conversation.
Anna tried to stroke Martin's hair, but Martin stopped her with his hands.
A: Why not?
M: The wise know that enough is enough.
ALONE [loneliness]
The devout jug reappeared and fast-forwarded for a day.
Anna swayed in the room.
Thinking where she first saw the wood cabin.
The last ten minutes were beautiful and intriguing. Giving people endless thinking, Anna's ending is also open-ended.
The story ends. Suddenly it felt that Anna was also the last gift in Martin's life.
They are all warm and burning with each other all of a sudden.
However, how many Mona and how many Anna will eventually die in the pursuit of freedom and the road to self-exile is unknown.
Life is precious, and it is better to be ordinary.
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