Let's talk about the characters first, in rough order of appearance:
Yuan Xiaochao: As a newcomer, his appearance on the stage is very amazing. It's a pity that there are not enough supporting lines, and the psychological description is not rich. The silly boy who has experienced ups and downs is always a little careful. The lines that follow show that he is not stupid, but it may be because of the newcomer
. In place
Liang Xiaolong: The aura is quite powerful! In this play, some people go from literature to martial arts, and some people go from martial arts to literature. Liang Xiaolong has a combination of civil and martial arts, and his skills, lines, and expressions are very suitable for
Shu Qi: he has completed the role of a good wife and mother who endures humiliation very well.
Yang Ying: It should be said that she is working very hard in acting. Whether it's lines, facial expressions, or even actions. But the tone of the lines still sounds strongly personal (this is understandable), and I don't know if the plastic surgery really has an impact on the facial character. I can definitely see several expressions of her efforts, and it is indeed the character at that time. The state and psychology it should be in, but there is a feeling of being disconnected. Overall, she is not the most suitable female lead candidate. (I'm not black for black)
Peng Yuyan: Qualified, the emotional drama is still in place. But the character structure is a little pale (should add some childhood flashbacks). After all, it is the young actors who are the lead actors. Under the circumstance that Yang Ying can't fully demonstrate her acting skills, Peng is indispensable as the villain, and the characters should definitely be full. It's a pity
Wu Di and Chen Sicheng: There are too few lines, but Wu Di's eyes and expressions are
interesting. Feng Cuifan: Needless to say, as a representative of the old forces, the expressions, language and actions are very reasonable.
Xiong Naijin: I didn't give any lines, relying on expressions and eyes. Get information
Leung Ka Fai: The performance is smooth and smooth (not referring to action scenes), no matter whether it is a long-term worker or a master, he is not sloppy and unrestrained in his actions and actions. It looks very comfortable.
The questions are:
1. Why do long-term workers in Henan bring felt hats from Jiangsu and Zhejiang?
2. Who is his substitute?
Liu Bili: Unfamiliar, still qualified
The rest of the supporting roles have played a very good role in the green leaves, no matter Xiong Xinxin or Yingda. It is a very good Tai Chi promotion to use martial arts and Tai Chi descendants to play a role, and it is very good.
In terms of plot:
The design flaws of the characters make the plot look dull (the expected end of the Troy War is not exciting enough). The character structure should have been Yuan Xiaochao, Yang Ying and Peng Yuyan supporting the plot, and Liang Jiahui as the general guide, but because Yuan is a newcomer, it is impossible to talk about acting; Performed (maybe for the preparation of the second part), the shelf could not stand up, and the contradiction was not prominent enough. (Yang and Peng's emotional entanglement ended too early, and the conflict ended in a hurry. Maybe enough for life, but not enough drama. Taking away the operation manual is also a small bug, the post office staff can't understand so much about it Industrial term for machines and operations. Enough drama, but not enough life).
The overall plot also jumps between "you think it's a drama, but it's actually life" and "you think it's life, but it's actually a drama", making people come out of the drama from time to time. As soon as the middle and late stages ended, the appearance of Feng Shaofeng, the main character of the second part, was a good way to connect, but it was abrupt because of the sudden end of the climax.
Let's talk about the topic of no rumors: Many boxing styles are said to have this rule, and the reason is very simple: avoid risks. People in this village can have ancestors' training, parents, and village rules, and outsiders are not controlled. Once he gets into trouble outside the hometown, his village or his family is bound to be implicated. This should have been made clear in the last paragraph about whether to punish, but it ended in a hurry, which is a pity. Good passages that enrich the characters are also missed. It is also said that Feng Shaofeng will elaborate in the second part, and I don't know what effect it will have on the promotion of the plot, and we will wait and see.
Feng Delun is very attentive and needs a good screenwriter to help him manage the plot and sort out the contradictions.
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