1. Is the light in the dark necessarily hope? 1) The attempted murder at the beginning 2) Towards the end Joe came to Jimmy's side 3) When Joe was tracking the repairman, the flashlight that the repairman showed to the repairman, the person emitting the light was also in the dark;
2.1 Car rear window: Frequently appearing pictures from the rear window perspective, limited vision, and framed logic 2.2 The protagonist who is viewed and viewed through the glass: the inaccessible truth;
3. Ten 1) When Jimmy ran into his boss for the first time, his upper right corner, the light in the background was a cross (elevation angle) 2) Joe saw the cross when he drove by 3) Jimmy stayed in the courtyard at home more than 4 in the morning Sitting, his wife saw Jimmy in the room through the door glass. He was right at the center of the cross on the door, "the man who was nailed to the cross" (slightly depressed);
4. The mirror image of the two police detectives past and present: 1) Similar family configuration 2) Two people with different faces, the only same frame is the two people monitoring the suspect in the car, in the screen
The two people sitting in the front row were far apart and flashed past, and their faces were clearly sideways when they were in the same frame;
5. A neat three-act 1) Act 1: Joe is involved in the case again 2) Act 2: The protagonist traces the suspect, at the point in the play, the two protagonists and the suspect officially meet 3) Act 3: Joe saves himself and Jimmy;
6. By creating suspense by paying tribute to "The Seven Deadly Sins", is the ending of the young Jimmy in the film the same as the ending of the young detective in "The Seven Deadly Sins"?
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