There is nothing to say about changing the ceiling.
But this fighting drama is also a little weaker, not as smooth as the first three, and it is somewhat aesthetically fatigued.
The Japanese may not feel it when they watch it, but as a wolf warrior, it is really embarrassing for me to watch literary dramas.
In 1879, the Beiyang Navy had not yet started construction, and the Shanghai gangs were more powerful than the Qing Dynasty.
My brother-in-law said that he was going to execute someone in Kyoto, and you acted alone in the rain without notifying everyone and the police...
And the honey juice operation that forced Cang Zi to go offline during the battle, I really don't think the mentality change is handled well.
The character of the brother-in-law is also... in a grassy style. The first half of the episode looks very independent, and the second half of the emotional scene has a straight drop in IQ, except for hugging his head and calling his sister.
The younger brother-in-law expressed the audience's heart, you are obviously going to seek atonement, and you are told to commit suicide, but you keep saying that your immortality will have a greater effect on society... Japanese-style whitewashing is handled very poorly here, and you can't come back, and there is no Impress the audience.
Then let’s talk about the whole environment: Qing always wanted to attack Japan. Zhi Zhixiong’s warship was also sold to Zhi Zhixiong. Japan was forced to defend. The executioner was a hero of society. It is more sensitive to believe that this is a whitewash for Japanese militarism.
Leaving aside the historical prejudice and authenticity, it is indeed to change the ceiling. Each leading role is also a first-line Japanese actor, and his acting skills also smash the domestic fresh meat. I think the true rating is around 7.0
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