It was not beauty that attracted me to the cinema, although I was initially curious about Marceau, but wanted to try suspense, thriller, and a different narrative style from American blockbusters. (There are still a lot of people watching the movie together, after all, it is the weekend.)
First of all, Jenny is not sure of her identity, and her relationship with her mother is also a little stiff. Her mother reassured her that the novel would pass, after all she had won some kind of honor in composition at the age of eight: there were feature photos like news stories posted on the wall. However, back at her home, Jenny felt that the position of the furniture had changed, especially the table in the center of the living room. She began to argue with her husband about the position of the table and even the position of the items in the house. She doesn't even like her husband slapping her with a DV - the chaotic thoughts made her start scolding the child! At this point, my first inference: she hates herself because she lives a life she doesn't want, and many big decisions are made by her mother.
Secondly, Jenny does not feel like she is arguing with her husband, but sends a message to her husband: I think this way, I feel this way, this is my state, I just tell you a fact. And the husband who loves her feels the crisis: the wife's brain has a problem, and it is time to see a psychiatrist. From Jenny's layer by layer of psychological state information, until the couple went to see a psychiatrist, the movie narrated for a long time, during which the little girl with green skirt and black hair kept appearing in front of Jenny's eyes, and then ran away - this The little girl who doesn't speak really annoys me...! I endured and came to the second inference: Jenny suffered from depression (I'm all depressed, for so long, choosing a challenge has a price).
Again, Jenny's face changed, half her, the other half like her mother. Not only that, but her arms and calves also have scars, like cuts or scalds, burns. At the same time, her husband's appearance has also changed (changed actors). From here, I can't figure out who is who. Keep watching.
Jenny completely changed her face and became a black-haired woman. She went to the clubhouse to find her mother and needed her mother's comfort, but the mother in the poker game was reluctant to leave immediately. After some convulsions and quarrels, the mother and daughter arrived home. Jenny turned out a photo of herself and two other women when she was a child. Her mother told her that one was herself and the other was an Italian friend, but they never contacted again. The black-haired Jenny suddenly realized: the mother around her is not her own mother, but the Italian! She desperately went to Italy alone. At this point, I refute my own inference: she is not depression. And the performance of suddenly pushing away her husband in passion gave me another inference: she was violated by her biological father when she was a child. In this case, it is better to translate the title of the film into: There is no way back, eh.
Fourth, in an Italian town, she saw a familiar sculpture, ran over, and entered a nearby cafe. There, she meets her real mother, who "mother" doesn't know. In the evening, she saw the little girl in the green skirt again. This time the little girl led her to the "mother"'s house. Here, she saw her brother, father, and her sister with long black hair (probably) . But the whole family obviously didn't welcome her. At this time, in Jenny's opinion, her thighs seemed to have a tumor and were abnormally thick. She dragged these legs to the second floor of this family, and then heard: I am this family. daughter, mom, brother and dad. So far, I am more certain of my inference: domestic violence, incest.
However, at this time, "Jenny" returned to her youthful appearance, and the story returned to more than ten years ago. (Finally telling the truth!) The brunette girl's real name is Mary, while Jenny is blonde. Jenny's family traveled to Italy and drove Mary away. Although the two girls have different skin colors, they are very close together. In this car trip, there was a car accident, Jenny died, and Mary survived. From then on, Jenny's mother raised Mary as Jenny.
Little Mary was traveling alone in the carriage, and suddenly felt that her clothes were uncomfortable, so she went to the bathroom to change a set. At this time, adult Jenny (Marceau) returned to the screen with a confident smile on her face, relieved. At this point, I concluded that she found herself. Jenny went back to her house and saw what her husband and her children were looking at together. She smiled with relief, and was about to meet her, only to find that the adult Mary had already "preempted": hugging and talking with her husband, and running to the bedroom with the children. go. At the bedroom door, Mary turned her head to the right and smiled at Jenny.
In the end, two identically dressed women sit side by side, working on a novel on the same PC. The camera moves to the right, and the profile faces of the two women are about to merge into one, and the movie ends before they overlap. That is to say, there is no domestic violence or incest, but two very good girls have been growing up at the same time. Jenny's soul follows Mary, which is a friendship film. The headlights of the projection hall were turned on, and many people said: I didn't understand. I probably understand, smile and leave. (By the way: The last smile of the two gave me a feeling of deja vu-cute bones. The style is very similar~) The
evaluation really made me hesitate: is it okay or bad? Generally, the movie is still very emotional, and the evaluation will be a little higher than average. And if you go to the theater to watch this film, the sound effects of the suspenseful clips are still very catchy. But if I download it and watch it... I will still say it's okay, after all, the theme is good: find yourself.
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