I like being on the train, the heroine looks at the window, the reflection on the window is another person, and then the window disappears, which not only reflects what the heroine is thinking, but also can see the attitude of the person in the mirror towards the heroine. The idea is good, in short, this lens is a lens that can make people think of many things.
Another favorite is that at the end of the film, the heroine just entered the house and was about to hug the children. She really hugged them, and then the two looked at each other, too beautiful (it is very unbearable for the translator to mistranslate the child's words)
Although In the end, I read the film review and understood the whole film. However, does a really good film have to rely on the film review to understand it? Is it because the director's coherent thinking is not enough, blame the director, or the audience's lack of self-cultivation in the film, blame the audience, if the film is monotonous and lacks coherence, I think the audience is not easy to remember the previous scenes, so if you want to think about the meaning of the film as a whole, Content is also very difficult.
The core of the film has always been to find herself. The pressure of reality has depressed her for many years, and the heroine, who has always thought of herself as her own sister, gradually finds that she is not herself, so she searches for herself. It can also rise to the highest proposition of philosophy.
There is indeed a lot to learn from such a film. Most of the whole film is showing the fantasy of the heroine. On the contrary, there are so few realistic shots that I thought it was a realistic shot at first, but later I found out that it was also a fantasy, and even At the end of the film, the actual scene overlaps with the past scene, and his adoptive mother is waiting for him, which perfectly applies the expression of the film to a high degree.
Benefit a lot
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