I don't know if the director of the tainted bird has seen the sparkling red star. If the movie ends at 150 minutes of shooting, it's a modern-day version of Sparkling Red Star. Forgive my clumsiness, before the partisans gave the child to the Germans, I had absolutely no idea of his Jewish identity. At most, it is considered a ukiyo-e from the Czech Republic of World War II, and it does not even think that human nature is inherently evil. The second point is being rescued by the Soviet regular army, and suddenly there is a feeling of shining red stars. This kid will definitely kill, but he just waits to see who is killed. After all, there is hardly a good person in the whole film except the priest. The audience is so emotional that they can't wait to smash an atomic bomb. Including Guling Street, it was all juvenile murders, but in terms of holding back urine, the polluted bird held back the longest. No matter what the two Chinese films are, the story is structured in the front, there are still peaks and valleys, and killing is only the final outcome. There is almost a straight line in front of the defiled bird, just showing, not commenting. In order not to be too boring, the film has a lot of packaging in the technical aspects. Black and white, close-up, Impressionist composition, deliberately reducing lines and amplifying ambient sound. Anyway, the target group is not the audience of Hollywood, and getting some extreme audio-visual language is also to please a small group of elites in the subculture circle. It is estimated that the Houlang people do not like it, because they need to think and accumulate some knowledge. But it is certain to give a high score, because you can pretend to be sloppy. In fact, the shining red star also had the same effect. No matter whether he is a literary youth or a progressive youth, he is forced.
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