There are nearly 30 fixed cameras in a movie, and then the absurd interpretation of daily life for a few minutes in each fixed camera, but it is advanced in extremely dark tones, and the relationship between content and content is not strong, more like emotions, double emotions, double emotions Then double that boring mood, so I really didn't understand it.
The daily life of a priest with a crisis of confidence (the "Young Pope" is even better), one came to the hotel and danced with three girls, a young boy who watched the clerk in the shop insane, and one with the girls. A boy discussing calories, a lady who likes to drink rebounds, a lady waiting at the train station, a slap in the face of a woman she so-called in front of a butcher shop, a wailing leaning on the sofa holding a dead man, a failure but not Admitted Hitler, a... It seems inaccurate to use emotions to distinguish, but if you use the absurd life to divide, you have not explained the absurd life, or maybe the director does not want to express the irony in the absurdity at all, making people only Suppressed without amused expression. so……
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