The film was an Indian entry for the 2015 Toronto Film Festival and was directed by a woman, Lena Yadav. The film focuses on impoverished villages in India, where there is not even a TV set. All major decisions, such as whether to buy TV sets for women, are made by local elders. The film tells the story of three women's journey from being submissive to being awakened and resisting. Rani, married at the age of 15, died of her husband two years after marriage, and took care of her young son and mother-in-law alone. Rani hasn't touched a man in 15 years, and her mother-in-law in bed seems to be her final ending. Rani's only pleasure is chatting on the phone with a strange man, a ray of light in her dark life. In order to marry her son, she did not hesitate to mortgage her house to borrow money. On the wedding day, the daughter-in-law shaved her short hair to resist, the mother-in-law died in bed, and the son took the opportunity to get rid of the new daughter-in-law and search for flowers and willows with friends. Finally one day, the son was detained for looking for a prostitute, and he could only ask his mother to pay back the money to redeem him. Maybe she was too disappointed with her son's depravity, or she couldn't bear her 15-year-old daughter-in-law to go her own way. She chose to sell the house to repay the debt, and also sent her daughter-in-law back to the person she liked. La Qiao has been married for many years, but has not been able to conceive. Her husband often beat and kicked her for this reason. Even though she is the most capable woman in the village, her handicrafts are recognized by the factory, she is paid monthly and cannot be treated well by her husband. La Qiao was disheartened, but her good sister Bikili told her that her inability to get pregnant was not necessarily the reason for her, it might be the problem of her husband, and she also introduced a man to her. After the two had sex, La Qiao got pregnant successfully. However, when her husband knew the news, he became angry and beat and scolded La Qiao again. Only then did La Qiao know that her husband had always known that he was infertile, but he vented his anger on himself. La Qiao gave up on her husband, so during the quarrel, her husband caught fire and she left instead of saving her. Beachley is a showgirl in a wandering dance troupe and a prostitute at the same time. Her personality and figure are very hot, and her knowledge is much higher than that of ordinary rural women. When she felt very tired, she bravely refused the boss's pick-up request. Over and over again, the boss gradually no longer liked her, and instead pursued another younger and more obedient girl. Bin Laden, a colleague who frequently showed her good friend, just wanted to escape with her and continue to let her do the flesh business. The only couple in the film who respect and think about women were forced to leave the village by the gangsters in the village. Does this symbolize that the village has been swallowed up by traditional customs and that only leaving can save itself. So, on the evening of a traditional festival in India, the three of them decided to let go of everything and their shackles and set off for a new city. From then on, women do not rely on men, but rely on their own strength, and start a new life with self-esteem and hope. Maybe this ending is ideal, but it means a lot for Indian women to take that step. After all, in a traditional
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