just watched "Si Mourning" directed by Li Junyi not long ago. Start to wonder when Korean filmmakers became so masterful? Grasp some dangerous themes can also be so freely retractable, without losing style.
Films such as "Big Tiger" about beast hunting and hunting are often shot inadvertently in the bloody atmosphere and the portrayal of rigid human nature (refer to the face on the right). But what is rare is that director Park Xunzheng, after doing all these superficial skills, put the main brush and ink on the plot narrative and the depiction of human and tiger emotions, telling a story about the nation that is thrilling and ups and downs without losing warmth.
After watching this movie, the main moving point still remains in the emotional picture of the big tiger and the Qianmande family. The interspersed memories of old events in the film have no sense of inconsistency, but make the narrative more warm and natural, especially the time rewind at the end has a touch of unforgettable touch. The wailing of the big tiger beside the little tiger is heart-wrenching, and the emotion between the hunter and the tiger makes people feel incredible but also deeply moved. A movie about killing is so heartwarming and touching.
I have to say that South Korea really has a group of good actors like Choi Min-sik, Song Kang-ho, and Kim Yoon-suk who have performed in a state of no one, and are very good at taking on the show. In this film, Cui Minzhi portrays an experienced hunter vividly and realistically. The key is that there is no trace of acting in it, which makes people completely immersed in the play, just like his usual performance.
At the end of the film, Qianmande and Dahu jumped off the cliff embracing each other. I think they flew away with their proud dignity that they still retained.
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