The picture at the beginning of the grass has been saved for a long time.
It's so cult, it's just deceiving people with images that the main musical can be made so cult. The content looks very simple, but the form of Karax has been innovating. The form of singing and dancing in the film is a new dimension of film, not to mention the installation and stage dialogue. Like a baby wearing 3D glasses for the first time, human beings see Lumiere for the first time. No one can tell what kind of contradiction the conflict between Annette and her parents represents, and what part of the director's emotions the story wants to express. If it's just a metaphor of puppets, it's too straightforward and too shallow. There should be a lot of director's private emotions worth exploring (personal feelings are related to the ritual of the movie, the hallucinogen-like deception, the relationship of mutual manipulation inside and outside the play). I kinda like the song part, it's weird and it doesn't have a big problem with this cult. The overall surreal and comparative forms of prop lighting are a feast for the eyes, but unfortunately the shots are almost meaningless, it would be better to be more dramatic, and there are not many changes.
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