The director was the first to go abroad, swearing absolute sovereignty over his films as a music producer, lost in fame, praise, capital, interests, inferiority, lost love, eternal curse, in music, I feel that the soundtrack and lyrics can be done a little more, really not The film language and music are really intrinsically connected in the particularly good-sounding video, but it seems that it only occurs when musical instruments are present. The "dramatic treatment" of the film itself not only occurs in the plot and opera form, but also in itself. It seems to be an extension of a certain dimension of opera performance. The most exciting scene is that the conductor of the male supporting role is conducting the command work on the stage inside the movie, and on the other hand, he is explaining his inner activities to the camera. The transformation and combination of the two emotions are deeply and freely combined. And if the camera is regarded as another stage, then it can be seen from this paragraph that the whole film is not just trying to break the fourth wall, because in the fourth direction of the original two-dimensional stage, there are two consecutive walls. be broken. In the other several stage scenes, the presence of the audience also expanded the dimension of the stage. The relationship between the performers and the audience's different identities, as well as the previous themes, which this film tries to discuss, seems to be extended to reality.
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