Can a child's despair stop us from diving into the abyss?

Houston 2022-03-16 09:01:09

In an era when the basic elements are gathered and everyone holds high, there is always no shortage of reputation. The origin of the story, the ordinary structure of the play/narrative, the vulgarity of the timeline growth, the efforts of the leading actors, and the various attempts to integrate dramas and musicals, all of which can be seen. The era of symbols has passed, and it is not so simple to re-invent the concept. But some voices and comedy/opera scenes (I am afraid that bob wilson has paid a lot of copyright fees?) are really reluctant and unprofitable, as far as theater people are concerned, they are just copying. At the same time, the frivolity and routines of the music make it impossible to deceive oneself. The puppet's lack of money and artificiality, and the embarrassing adult acting of a real child also make people's thoughts conflict, and it is impossible to insist on how much the director's real body is. At the very end, don't forget to tell your friends if you like it, and if you don't like it, be sure to let it know! In addition, apples and bananas are no longer metaphors, but similes. metoo didn't forget to give him a slap, the screenwriter was actually full of sympathy for the male protagonist, the beauty of the female protagonist's angel's coming into the world, and the confusion of ghosts...and LC invested a lot of his own in this script. Emotional life? ? ?

Grady 2022-03-16 09:01:09

The magnificent and atmospheric images, the transitions are hazy like animation, the acting skills of adam driver no longer need to be proved. The story is designed very routinely. Everything is designed to generate emotions. At the end, the little girl's acting skills are not enough to support the picture that should be heartbroken. The tears on her face and the expression of reciting words can't resonate. (It is better not to change the actors, although it is also necessary for a plot)