It is precisely because of this that the story of this film has the effect of a revolving lantern. The three parties take turns appearing on the stage, performing their own obsessions in a huge and well-defined space. And director Du Qifeng also has room to show his scheduling skills in stories, scenes and plots. And the movie is no longer a simple "catch turtle in a urn" story.
I don't like the character Fang Jiexia very much. Putting aside the issue of the actor's acting skills, the character itself is not likable, even though she is a beautiful and positive character. Fang Jiexia bears the shadow of some people we often encounter. These people are calm, composed, and capable. Therefore, it seems that the emotional intelligence is extremely low. It is not that he does not understand the world, but that he disdains both sides. They are often not well-liked in the team, but they are often reused, because the boss knows that these people are good steel to be used on the edge of the knife, not the pistachio to lubricate communication.
Working with this kind of person is always a little uncomfortable, because in their opinion, in order to get things done, it is necessary to make sacrifices, such as your hard work, your vacation, and even you, as long as you meet the their computational logic. Fortunately, they haven't reached the point of "unscrupulous means to achieve the goal", and what is even worse is that they have not reached the point of "unscrupulous means to achieve the goal", you can't leave them righteously and with peace of mind. Pain in the normal range is also pain, and it's coming.
Fang Jiexia is such a person. If she loses face in the media, she must regain her face in the media. Catching a thief is a matter of regaining her face, so she does not hesitate to do things that are not so upright and playful. Mesa means. And after she was exposed, the explanation for this was just one sentence: our positions are different.
You see, I don’t like this answer very much. Different positions are sometimes just diplomatic rhetoric, just an excuse for perfunctory, because no matter what position, we should be very clear about what to do and what not to do. . It's just that Fang Jiexia pursues perfection too much and needs to be arrested too much to become a successful show, and she is even more embarrassed for face.
But at the end of the film, it seems that Fang Jiexia is going to reverse the verdict and let her stand up. To be honest, I think this is purely a gimmick made for the plot of the movie, which is completely inconsistent with Fang Jiexia's previous work! At this time, the operation has basically succeeded, and the lost face is slowly regained, and no mistakes can be made at the critical moment! Why was she so eager to catch the thief alone? Where did the energy she gave to command Ruoding in the first place went? With so many subordinates, why should you come forward by yourself. In the final analysis, it is still the director's idea, not only to increase the contradictions in the plot, but also to give the big stars room to play. In short, unreasonable, failure!
Again, this thief show, I don't know if it's because my concept is outdated, or the focus of this era has changed. I always feel that catching thieves must be as persevering and courageous as Zhang Zhiheng, and be able to stand up at critical moments. , instead of raising my hands to surrender, is my idea a bit cold? If you show us all this as if you were directing a show, and you also know how to make use of your strengths and avoid weaknesses, and you know how to avoid the real and attack the false, everyone will be happy, but what about the reality? Which one can we rely on more? Show better, or do better? Or would someone say there is no difference between the two?
Finally, I would like to praise the long shots in the movie. There are two long shots at one end and one at the end. They are hearty and vivid, which really reflects the skills of the director and the actors.
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