In the use of audio-visual language, this film has a consummate skill.
The long shot in the opening scene and the extremely complicated movement scheduling truly reproduced a street battle. It is precisely because of the use of this long shot that the originally insufficient motive to escape is more abundant.
As for the pursuit of the building behind, the split screen brought by the parallel montage produced a refreshing effect, using the same action of the two scenes to push the tense effect to a high point, ending with the final violent conflict (gun battle, grenade explosion). At the same time, in the rendering of tension effects, a large number of moving shots, and the oppressive composition created in a very cramped space, the tension of many bridges is remarkable.
There are also paragraphs that use voice narration to do a good job, that is, Chen Huilin took the mobile phone from the dead robber and used voice to judge Ren Xianqi's position, the music of the cake car, and the countdown of the red light. These sound elements are used as a driving force. Chen Huilin found that Ren Xianqi played an indispensable role in promoting. It can be said that the following plot cannot be promoted without this voice, but this application is a little blunt.
The truth that the media presents to us, the truth that has been carefully edited and processed? Or is it the true face of the incident? Ren Xianqi's curtain call for this play is the biggest irony of this real or fake play.
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