Galaxy is one of the quality representatives of Hong Kong cinema. The model of Galaxy's creative team should be worthy of our learning and reference. Although it is still a police and bandit theme, it is obvious that the perspective has changed again, introducing elements of media, and using the medium of film to explore the authenticity of the media, the truth of the media we see is not necessarily the truth of the facts. The way we usually perceive the world by seeing is believing raises questions and challenges, and finally reflects on the tragic fact that modern people are controlled by the media.
I didn't expect that it would be such a fierce shootout. Although the street battle is a bit like a fuse, in terms of the smoothness of scheduling and the sense of space, I am afraid that no one in China can surpass it. The play structure of this film is also very interesting. The first is a simple confrontation between the two sides. Suddenly the police become two sides. Finally, suddenly the gangsters also become two sides. Further discussion can be made. Zhang Jiahui should be a traditional policeman, and his work is a sense of responsibility and belief, and he insists on justice. Chen Huilin is not only a police officer, but also a media symbol of the police representative.
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