How complicated the world is, how stubborn Zhang Zhiheng is. How unpleasant the complexity of this world is, how charming is Zhang Zhiheng's stubbornness. After watching "The Big Event", I couldn't help but feel that Johnnie To's performance was very clever. From the first long mirror, when the newspaper floated from the gangster window into the police car window, and then to the final TV screen zoom in the face of the gangster who was killed. I can't find a better word to describe this feeling. Speaking Chinese may be "sense of atmosphere", but because this word is used too cheaply in popular contexts, I still think it is more appropriate to say artistic. To Qifeng's three words may really have a halo effect in my heart, a halo effect. As long as you watch him tell a story, you can't help but wonder, "Oh...he wants to tell that", "I'm waiting here", "It's interesting". It's not as eccentric as "To Qifeng's filming is all right", but there are indeed two steps to taste him: step 1 Who can make a movie like this? It was indeed Du Sheng, it was confirmed. step2 Du Sheng is right. In "Big Event", what he wanted to talk about was rich, full, and compressed. The whole scene was miniaturized and completed in one day, one place, and one residential building, and he used a lot of smooth and coherent one-shot to shoot to the end. Even business people (like me) who don't know how to appreciate can clearly feel that there are some wrists inside. No one tells stories like that if it's not intentional. In addition to these ingenious lens language and choice of perspective, Du Sheng's feeling on the bright side is as low-key as always, with little soundtrack (of course it is very accurate), simple special effects, neither grand nor grand; everyone bombs the audience with nuclear weapons With five senses, Du Sheng is still the one who smashed people with bricks in "Underworld 1". The sense of absurdity, the sense of irony, the sense of sadness and the sense of warmth, are all naked, with sharp edges and blades. At the end, Ren Xianqi handcuffed Chen Huilin and said, "If there is a choice, I will choose you as my heroine." I wonder if anyone has called it unfinished? I was a bit smacking when I saw it, but the crazy romance is also presented so rough and straightforward, like sandpaper rubbing people, I think it's Du Shi's bluntness. The sky-turning overhead shot, the climax of the big event happened, and when it ended, it was unclear what exactly ended, but people couldn't help being distracted and thinking: Du Sheng must have something to say, what? What is the satire or praise next to it, the intriguing description of the underworld and the white one, each protagonist has a different "vigor", there is a lot to say, but I always feel that someone has said it, no matter how much I think about it, it may not be the same. Can figure it out. I don't dare to say that I understand it all, but to evaluate "The Big Event", I can be sure of at least one truth: Zhang Jiahui, you are so charming. I never thought that a single tendon could be so attractive and handsome. After watching the "Underworld" series, I have long felt that the role of the plane is very endearing, but this time he plays a stubborn and simple serious crime police officer, repeating from beginning to end, "I don't believe that I can't pull Ban Heng. Home shovel" - is it really my nympho that the filter is heavy? No one thinks his endless obsession is really attractive? How complicated the world is, how stubborn Zhang Zhiheng is. How unpleasant the complexity of the world is, and how charming Zhang Zhiheng's stubbornness is - there will always be times when we are powerless and pale, and there are too many things we can't figure out: we can't figure out why the police do shows It's more important than doing things. I can't figure out why a loyal and gentle robber can become a bad guy. I can't figure out what's fake and what's true behind the editing of radio media. There are too many people who are stuck in struggle, unable to move, and tend to be paralyzed. And in this era, I don't even bother to think about things I can't figure out. Inspector Zhang Zhiheng, who is brave and doesn't chase after anything but justice - he is too brave and too cool. The show must go on may mean that human power is irreversible, and the world is full of absurdities and no one can control it. But Zhang Zhiheng doesn't care what the show is. Not caring is a relief in itself. This paragraph probably has nothing to do with what Du Sheng wants to say, I know. But I watched those who chased from the building to the elevator, got injured by the elevator shaft and fell to the ground, rode a small motorcycle to chase the murderer, got shot from the car and landed, and finally caught up with the gangster on foot and shot the opponent to death. Zhang Zhiheng, I suddenly remembered Caier Ying from the "Judo Dragon and Tiger List" that year. Paranoia can be so arbitrary, but it can never be so free. As long as she can still run, as long as he can still run, the show will go on. Unlike the game choreographed by Chen Huilin, it's not for anyone to see, it's just the stage of his life. At the moment when he forgot the audience, he really made an unparalleled show.
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