In my opinion, the character settings are all full; in addition, they are all actors who can act, so the whole is very harmonious. Of course, with the few Japanese historical films I have watched, and even other films, I have a feeling that they are generally very forceful. Sometimes like a stage play. Is it influenced by traditional Japanese performances? Such as Noh or Kabuki performances.
But this show is actually different from the Japanese style I've seen before; how should I put it, I think of the Black Knight or the Headless Horseman every now and then.
The film is very long, and halfway through, I feel that the director wants to carry more complex philosophical issues in the film. This kind of attempt is often unsuccessful, so this film is good for the visual department, good for the curiosity, but not good for the story; so it will not be disappointed.
･･････････････････････････････････････････････････････････････････････････････････････････････ goes
on. Ryoko Hirosue's face has always been indifferent. I always thought she looked weird.
At the end, Goemon was stabbed by his former screen friend (the name was too lazy to check, and no one mentioned him after reading a few movie reviews, he is indeed a poor person), this setting is very unexpected. Count the small inversion of this character.
There are also ah, pot ah, sorrel ah, all have a style. You can also see people. that's it.
View more about Goemon reviews
