Two stories tell the same thing. The savage's perspective at the beginning is thrilling, and the connection between the two stories is very organic. After the two kiss the backs of each other's hands, Ken rides away, and then the scene cuts to the day when Ken sits in the army's car on the road, Dong sleeps in the room, and Ken is over the shoulder. The camera enters the room where Dong sleeps, but Dong is gone, the camera stays at the door of the room, Ken looks at Dong's photo, the voiceover is discussing about the tiger, the black screen, the mural of the tiger.
The scenes of the first story are quite diverse. The idleness of youth, conscientious work, and wandering around after get off work, the feeling of Hainan is oncoming, which is not unfamiliar. Most of the characters appear in scenes that change scenes, such as rain and the street; when eating together for the first time, the shots of the man looking at the woman and the man looking at the man are juxtaposed. It is probably to express Ken's heart in the language of the camera. Dong looks calm and stable; Dong's work, the content of the work first, then the appearance of Dong's work; he does not respond to the POV shot of the male protagonist, the scene in the pet hospital ;The scene of the woman singing is very authoritative, hold on to the interesting things tightly, ignore other things, and don’t give the opportunity to interfere, first the scene of the woman singing, I was stunned for a moment, and then I explained the location from the perspective, the editor’s credit. Not neat, self-contained, willful, only talking about what he wants, but instead drags me into his world.
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