When Joyaf came to France, everything was stolen from a room and turned into nothing. The naked Joyav under the camera is precisely the portrayal of the transformation of nothing.
After that, he met a young couple, Aimille and Caroline, and rescued him from freezing, so a trip to France that has been reciting synonyms began. In my understanding, Yoav not only wants to identify his new identity through synonyms, that is, the identity of ordinary French residents, these include but are not limited to the follow-up Emily and Caroline who are willing to engage in a fake marriage registration to complete In addition to these, Yoyaf needs to identify with another identity of his own, that is, gay identity. After Yoav met this young couple, he gave the writer Aimille all the stories he depended on for his survival. In fact, this was his own spiritual self-identification; but when he was in France When his self-identity is challenged, such as when his spiritual leader dies, or when he takes the lead in letting the people of the country enter the embassy, he is constantly challenging his own gay identity. Caroline is willing to help and enjoys physical pleasure by Caroline. This disapproval of his identity makes him propose to take back these stories when he sees Ameler for the last time in the film. It means that the identity on the spiritual level has disappeared, and Emile will never see him again, no matter how he hits the door that will never be opened again and again in the last scene, just like he can't enter France. The meaning of society is the same.
I got the impression after the general context twice, the story is not difficult, and the problems reflected are also social real problems, but the feeling of giving 3 stars is that the director does not know if it is because of cultural restrictions, and always hides it. I didn't explain it very clearly, sorry...
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