"Flower" Lou Ye's disappointment in life is not something to be ashamed of. Clever can only make life a little more comfortable. Rebellion and paranoia are no longer a low-cost compliment decoration. The barrenness and cunning of language and words no longer serve the purpose of passing. The ambiguity of staring has its own danger, a kind of asexual confusion, breaking through the symbolic setting of traditional masculinity, (a foreign invader and oppressed person in front of the couple, and a low profile in front of the attacker ) so more on who I am. The creator maintains a distance from the protagonist, and is an experiment to examine current interpersonal relationships and feelings between the symbolic metaphor system, language and body. And the moral protection of the male protagonist is cancelled to establish a kind of bystanderness of the director to the character, mixing the perspective of God of the observer and the observed. An attitude of forging and exploiting, the barriers to entering another language system cannot be broken through. It seems that the first world exploits the cultural language family to the body, but in fact it is the closure of both sides, to the encroachment of the self-esteem of the passive, all of which form a kind of society. fable. One accepts castration, and the other establishes its own discourse system. It is not about the closure of one side's culture, but the closure of both sides.
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