I watched Jia Zhangke's movies on CDs or online. How many years have passed? This time, I finally went from the ground to the ground. It's gratifying, but also very sad! The faces, emotions, and subtle changes of the characters are presented on the big screen. As a spectator, hold your breath and watch carefully, following the camera, you have respect, understanding, understanding, and sympathy for the characters in the film. The heart moves with the shadow, and the tears flow like a spring. Many pictures have never been shown on the big screen, and the once silent and aphasic have gained a place and finally have a voice of their own. It should definitely be an improvement.
Mountains and rivers are the mountains and rivers of China, and the old people are parents, brothers and sisters, and villagers. The title of the film can be changed to "We". It tells our own story and Jia Zhangke's thinking and questioning of ourselves.
The triangle problem in the first paragraph is not stable, on the contrary, it is very unstable and can explode at any time. How many times has this classic triangular question been asked and said. But Jia Zhangke's version is still pretty, fun and interesting. Zhao Benshan, the two became popular when they transferred the Northeast dialect, and Jia Zhangke made Shanxi dialect friendly. I'm not from Shanxi, but I don't feel awkward when I listen to Shanxi dialect now. This is the result of years of subtlety in the series of the section chief's works. Jinsheng wants someone to send it, and then shows his car. Tao said, "Red, it's flamboyant enough!" At this time, Tao was wearing a red dress. For the section chief's humor, like it! The quiet Liangzi used a traditional punch for his love. On the other hand, Jinsheng, who is not limited by the rules, wants to use guns and explosives to get what he wants. As for whether he loves it or not, it doesn't seem to matter. Later, he did get it, but it didn't take long before he lost it again. This passage is the familiar Jia Zhangke, and I am amused by it, haha. But then, the title of the film appeared, "The Old Man of Mountains and Rivers". Is it a hint, a subsection or a comment? Before the title, it was the old me, and it will be the new me in the future. Get ready everyone. However, during the birth of a child, Tao's facial close-up was nothing new. There were too many scenes like this, and it was really unnecessary. The name, Dale (dollars), further foreshadows the conflicts and contradictions that will follow. There is no care and warmth for life itself, only worldly goals and desires are left. The playful dialogue in this paragraph also seems to echo the theme: "German technology" - "But you are a Chinese body!" Yes, no matter what, we are still Chinese.
The second segment is also a triangular structure: serious illness, wedding and funeral. These are the most important junctures in life, and how to watch movies show. Liang Zi was devastated by a serious illness, and did not appear again until the end of the film. But is it still necessary? How many stories like this play out around us every day. Liang Zi was lucky, and Tao gave him tens of thousands of life-saving money. How many people couldn't get help, so they carried it hard; if they couldn't carry it, it was over, it was over, and they disappeared. Before Liang Zi and his wife and children stood on the train platform, a beautiful streamlined high-speed train passed by quickly. Liang Zi and modern China have no intersection, they are only from a distance, they seem to be people in another world in their lives. There is already a gap between them and Tao. Although I hope that there will be more shots in the back for Liang Zi, wife and children to communicate with Tao, it is not necessary and it is embarrassing. This is the disparity of the population brought about by the rapid development of modern China. There are many people who say that the section chief is not as sharp as before. In my opinion, the cutting edge is still there, but the section chief has wrapped them up. The reason: you know. At the wedding, Tao gave the couple a pair of love crazy, and the couple bowed three times to Tao. Brilliant irony - money is daddy! The boss is the mother! Before Tao's father left, Tao asked him three questions that seemed to foreshadow something. In the waiting room, the old man died suddenly, and the monk beside him was overbearing, which reminded us of an old news a few years ago, which happened at Taiyuan Railway Station on November 25, 2011. It must have touched Jia Zhangke. However, the handling of this part of the movie feels flat, and the following close-ups of Tao's face, crying bitterly, are a bit too straightforward, flat and straightforward, lacking restraint and tension, and there is a suspicion of sensationalism, but it can't arouse me. How moving (it's too hard for a picky audience to serve! I'm not young anymore, I have experienced the death of my relatives, and it took a year or two to slowly realize what happened) but a slowly moving scene in the hospital made me People are dizzy. Tao took his son to the station where Lezai's father passed away to pay tribute. He sat in the waiting room chair and closed his eyes, which was touching. The price of an ambulance starts from sitting on the ground, and it costs more than 10,000 yuan to send the body back home. Fortunately, Tao is the boss and can take it out. Can't figure out what to do - "Falling Leaves Returning to the Roots", go back by yourself! At the funeral, at least two of the secondary actors were smiling, it wasn't unprofessional, that's what the section chief was going to show. Isn't this the real everyday life in general? While recording the truth, Jia Zhangke also raised his doubts.
The third paragraph jumps out of China in space, out of Chinese mountains and rivers. The unfamiliarity and alienation brought about by this blows on the face. First, the language becomes English. Of course, this feeling varies from person to person and from experience to experience. Maybe you work in a foreign company and feel nothing, but I feel that the director has a good grasp of this in this section. Tole's speech and manners are quite a banana man-although he has yellow skin, his ideology and behavior are completely Western. After falling in love with the teacher, many people were surprised (I was also surprised), from the perspective of Western values, it was natural. He is in harmony with the children of the West. Being with his biological father, it was like water and fire. why is that? Jinsheng now has the freedom to hold a gun, but communication with his son is strictly restricted to translation software. Not to mention tacit understanding. In contrast, when Jinsheng and Tao were holding explosives, they didn't communicate much verbally, but the silent communication was non-stop. It didn't take long before an agreement was reached: to destroy the explosives in situ. But now, Dale directly said to his father, "I have something to tell you", but his father didn't understand it, as if he didn't hear it. The old man is far from the old man, he is simply a stranger, just under one roof. Although he is a banana man, although his mother's appearance has been blurred, he still has the key to his home from his mother hanging around his neck - the home is open to you at any time. In the third paragraph, voice and video intercom is required to enter and exit the house. The room looks decent, but it's cold. Jinsheng once laughed at Liang Zi for being a miner, "It's too low-end to get up the mountain!" But now, Dale is not high-end, serving tea and meals. Of course, there seems to be no distinction between high and low in Western concepts, but it is still somewhat ironic for Jinsheng who have already succeeded. He can't accept that his son can do anything, a diploma is necessary, although he is a correspondence course, his son always needs to get a formal one. Work has to be graded. The deep contradictions behind these language communication may be even more critical. To the female teacher and the ex-husband's PK, the section chief also encountered comparisons, or even satire. Jinsheng and Tao are in the same situation, but Tao took over Jinsheng's gas station. The difference behind this may be clear by taking a look at the Guan Gong broadsword on the street.
The crashed plane will not appear in a good media publicity; the overweight truck is about to overturn almost immediately, but they are still struggling to travel on the township road without spotlights. The tiger in the cage turns in circles, and it has been in this cage for a lifetime.
What is success? With freedom, guns, and a big house, but you can't communicate with your son or go back to your hometown, this is definitely not a success. This freedom is not free at all. How Jin Sheng got here, he may not be able to tell. Go, go, that's it. I didn't go back to see my mother after a short reading of Le Yinian. In fact, even if I go back, communication is a big problem first, and the conflicts that follow will probably not be much less than that of my father. Before returning to his hometown for a funeral, the difference between Mommy and Mom made Tao angry, tearing off the scarf, and when he knelt down, he became even more violent. Later, Xiao Dale put on a scarf in silence - this has become his habit, his concept. Mountains and rivers are not static, there are always differences between generations. However, with so many problems in front of us, what should we do? Yes, there are too many questions, maybe this is the director's question, or his answer is "Treasure"
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A secret: Liang Zi's child is Bin Bin in "Ren Xiaoyao"
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