Would you believe that I am willing to accept the eternal life of fate, that I am willing to be in the vanity of youth, that I am willing to exist slightly and breathe vaguely outside of time. Then, in the Godfather's reincarnation game, passing by you. If this long and despair is necessary, then all cruelty and boredom, I am willing. I want to meet the godfather in the same sky as you, and hit the wheel of time happily and sadly. "Do you want me to kill you? Or this time, let you kill me?" No, I don't just passively listen to fate's choice. Abandoned by time, not accepted, not recognized, but also let the heart live vividly. Fight in the name of love, end fate with death, and fulfill youth with aging. The past has never been passed, just a small transplanted memory, and the future will never come. The life of the Eternal Son is an overhead Ferris wheel. The youth idling in place will not have a more realistic sense of survival than the endless hell. Therefore, every time I pass by the tavern, Hannan will definitely stare at the silent old man at the door for a long time. The gray-haired decadence is an impossible eternity for Hannan who have been abandoned by time. Because she can't face the empty future and hates her own water element, love is her only escape. It's just that this love has lost its roots. In the process of constant rebirth and reappearance, the water element, who has lived a little longer than others, can only weakly witness this cycle of despair. Like a garden covered by winter snow, a new lawn needs to be planted in spring. Hannan, as the rebirth of Niro, came from another sky. Unlike Jinlang, who gave up resistance, Hannan, who seemed calm on the surface, possessed wisdom and courage that Suzu did not expect. He didn't come to fill in the blanks for Niro, he was himself, with the courage to change the cycle, end the game, and face fate. "Even if you have walked countless times, you can go to places that you have never set foot on." Hannan's survival trajectory, for Mitsuya who clings to the fragments of memory, the cynical Tsuchizano, and the use of coldness to cover up vulnerability As far as the water element is concerned, it is to make them believe that even if the fate of being toyed with seems to be the same, each time between life and death, there will be a different meaning and a different feeling. "It's just because I've walked countless times that the scenery changes. Isn't that enough?" As the ending song "Embrace the Starry Night Again" sings, even if it's just being played in the palm of fate, Small happiness is worth looking forward to. If the first two sentences can be used as an excuse to avoid the world, then what really moved me was the support of Hannan who decided to fight: "Because that's all, isn't it enough?" Yes, it's just that, so is not enough. Just passively feeling youth and passively accepting fate, the eternal life of the eternal son, is the most unbearable, right? That's how life is. You have to walk through it and see the scenery at the end before you can say: This is my life. Tears fall, we can believe that we are in love; maybe there is no tomorrow, we will admit that aging is also a kind of happiness; when the truth of life is to be played, we will cherish the meaning; if the next second is going to be destroyed, it will be so at this moment Hug hard. Finally, when the dust settles and the sky resumes its vastness, Hannan, who will never return, leaves behind his courage and faith. The existence of the godfather almost made people think that Hannan's exploration was a complete failure. However, when a new round of reincarnation begins, Hui Su no longer avoids, but bravely takes off his eyes and faces Tong Yong - Han Nan's rebirth. You made me what I am. Unlike other Eternal Sons, with the daughter's Hydrogen, the Hydrogen with more memories, and the Hydrogen changed by Hannan, it may finally change the rules of the game. At the last moment, the hidden hope of Sui Su, is it the director Oshii Mamoru who wants to tell us? At the Japanese premiere of "The Sky Crawlers", Oshii Mori once said with emotion: "The so-called life, whether it is for elementary school students or uncles, is very painful. This is very normal. But in fact, this It doesn't feel bad—you get a nice view when you get to the finish." So, is it painful? But in order to be able to see the scenery at the end, no matter how painful it is, we must bravely and cherishly prove it. Because it is not enough to just watch and passively copy the youth of the predecessors. No matter how humble the fate is in front of the godfather who created the fate, in the cycle of monotonous despair again and again, I must hand over the imprint of the life I have come, lived, and loved. And I would. That's how life is. You have to walk through it and see the scenery at the end before you can say: This is my life. Tears fall, we can believe that we are in love; maybe there is no tomorrow, we will admit that aging is also a kind of happiness; when the truth of life is to be played, we will cherish the meaning; if the next second is going to be destroyed, it will be so at this moment Hug hard. Finally, when the dust settles and the sky resumes its vastness, Hannan, who will never return, leaves behind his courage and faith. The existence of the godfather almost made people think that Hannan's exploration was a complete failure. However, when a new round of reincarnation begins, Hui Su no longer avoids, but bravely takes off his eyes and faces Tong Yong - Han Nan's rebirth. You made me what I am. Unlike other Eternal Sons, with the daughter's Hydrogen, the Hydrogen with more memories, and the Hydrogen changed by Hannan, it may finally change the rules of the game. At the last moment, the hidden hope of Sui Su, is it the director Oshii Mamoru who wants to tell us? At the Japanese premiere of "The Sky Crawlers", Oshii Mori once said with emotion: "The so-called life, whether it is for elementary school students or uncles, is very painful. This is very normal. But in fact, this It doesn't feel bad—you get a nice view when you get to the finish." So, is it painful? But in order to be able to see the scenery at the end, no matter how painful it is, we must bravely and cherishly prove it. Because it is not enough to just watch and passively copy the youth of the predecessors. No matter how humble the fate is in front of the godfather who created the fate, in the cycle of monotonous despair again and again, I must hand over the imprint of the life I have come, lived, and loved. And I would. That's how life is. You have to walk through it and see the scenery at the end before you can say: This is my life. Tears fall, we can believe that we are in love; maybe there is no tomorrow, we will admit that aging is also a kind of happiness; when the truth of life is to be played, we will cherish the meaning; if the next second is going to be destroyed, it will be so at this moment Hug hard. Finally, when the dust settles and the sky resumes its vastness, Hannan, who will never return, leaves behind his courage and faith. The existence of the godfather almost made people think that Hannan's exploration was a complete failure. However, when a new round of reincarnation begins, Hui Su no longer avoids, but bravely takes off his eyes and faces Tong Yong - Han Nan's rebirth. You made me what I am. Unlike other Eternal Sons, with the daughter's Hydrogen, the Hydrogen with more memories, and the Hydrogen changed by Hannan, it may finally change the rules of the game. At the last moment, the hidden hope of Sui Su, is it the director Oshii Mamoru who wants to tell us? At the Japanese premiere of "The Sky Crawlers", Oshii Mori once said with emotion: "The so-called life, whether it is for elementary school students or uncles, is very painful. This is very normal. But in fact, this It doesn't feel bad—you get a nice view when you get to the finish." So, is it painful? But in order to be able to see the scenery at the end, no matter how painful it is, we must bravely and cherishly prove it. Because it is not enough to just watch and passively copy the youth of the predecessors. No matter how humble the fate is in front of the godfather who created the fate, in the cycle of monotonous despair again and again, I must hand over the imprint of the life I have come, lived, and loved. And I would. am. Unlike other Eternal Sons, with the daughter's Hydrogen, the Hydrogen with more memories, and the Hydrogen changed by Hannan, it may finally change the rules of the game. At the last moment, the hidden hope of Sui Su, is it the director Oshii Mamoru who wants to tell us? At the Japanese premiere of "The Sky Crawlers", Oshii Mori once said with emotion: "The so-called life, whether it is for elementary school students or uncles, is very painful. This is very normal. But in fact, this It doesn't feel bad—you get a nice view when you get to the finish." So, is it painful? But in order to be able to see the scenery at the end, no matter how painful it is, we must bravely and cherishly prove it. Because it is not enough to just watch and passively copy the youth of the predecessors. No matter how humble the fate is in front of the godfather who created the fate, in the cycle of monotonous despair again and again, I must hand over the imprint of the life I have come, lived, and loved. And I would. am. Unlike other Eternal Sons, with the daughter's Hydrogen, the Hydrogen with more memories, and the Hydrogen changed by Hannan, it may finally change the rules of the game. At the last moment, the hidden hope of Sui Su, is it the director Oshii Mamoru who wants to tell us? At the Japanese premiere of "The Sky Crawlers", Oshii Mori once said with emotion: "The so-called life, whether it is for elementary school students or uncles, is very painful. This is very normal. But in fact, this It doesn't feel bad—you get a nice view when you get to the finish." So, is it painful? But in order to be able to see the scenery at the end, no matter how painful it is, we must bravely and cherishly prove it. Because it is not enough to just watch and passively copy the youth of the predecessors. No matter how humble the fate is in front of the godfather who created the fate, in the cycle of monotonous despair again and again, I must hand over the imprint of the life I have come, lived, and loved. And I would.
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