would be adapted and directed by Mamoru Oshii (its silly Chinese book is called Moonlight Transformation). A cold-hearted heroine who is obsessed with her own creed and does not hesitate to stand in front of the crowd, with hidden and painful emotions, a few people who are confronted with normal civil society, a small circle of alienation, deep-buried despair and struggle, rough The flaws of human nature in reality, the seemingly impossible redemption. In short, except for the absence of extremely professional machines and firearms, this novel almost conforms to all the characteristics of Oshii Mamoru's works - returning to the essence and core of the same way: people will question their own existence: Who am I? Where did it come from, where did it go? This time, Mamoru Oshii seemed to have answered. There are very few people, and the world is so empty and far away. I don't know why, but his films give me this feeling. Even the bustling and bustling city and the hustle and bustle of fireworks on earth can't hide the loneliness and desolation. Compared with Innocence, of course, it is a little less disillusioned; but what do you want to do with that reincarnation-like ending! (I think the most reliable explanation comes from ttrobo ) I thought it was said that "you have to survive, before you seek any change" "Even if you have walked countless times, you can reach the one you have never set foot on. The place. It is precisely because I have traveled countless times that the scenery has changed a thousand times.” Such words were said from the mouth of the male protagonist who had always been quiet. music
In fact, Kenji Kawai also scores for many domestic films. The soundtrack, preconceived, I could hear a mixture of the elf guardian (presumably because of the guzheng and string background) and the attack in the shell. Of course, there is absolutely nothing wrong with the reusability of artistic expressions. I also fully understand that there cannot be another set of puppet ballads, there cannot be a second follow me. But, have you heard the bell in Adler Tag, the lingering sound of gold and stone is ominous and solemn, like an angel blowing the horn of death in the cloud; , as if the waves were oppressed; in the tranquility after the climax, only the cold bells were left.
Adler Tag is the code name for a large-scale German air raid during World War II. In that battle, the British Air Force, who was at a clear disadvantage (the Allied pilots would even be in a situation of one enemy against one hundred), made a careful deployment and actively counterattacked, but the German army's intentions failed. Churchill said: Never in the field of human conflict was so much owed by so many to so few. This is war.
Airplane
If you are a person who has not been addicted to the body control of the fighting fairy Yukikaze, or has a plot of a red pig / World War II propeller engine, you may have happened to read and like the book Night Flight. The land of people, you are blessed, this The movie is a no-brainer: Mamoru Oshii and his disciple Kenji Kamiyama are true military fans.
Someone once gave me an introductory course in fluid mechanics, dynamics. I think he must want to know if the plane in the animation can take off in reality. At least for a layman like me, those propellers are beautiful.
Dub voice
actors are not my Achilles heel. This time, I noticed Ryo Kase because of Yuichi's voice, probably because I watched some interviews (in the end, it's because people know it well), I think this actor is not bad, and he is thinking. So I was looking for a movie he was involved in.
Persona
The male protagonist has no chin? Oh no, it turned out to be a round chin.... The female boss is not only familiar by name (only that it is not the voice of Big Sister Tanaka Atsuko), but also familiar by eyes (sorry, in fact, Oshii Mamoru is a child flower head control, it does not matter. It's a person's design).... Does the white hair that thinly smoothes the creases of the newspaper remind you of Kuze.... I don't believe that no one saw it from the mechanic holding the snoring Bajidu Bart's back...
well, Nishio Tetsuya, you know he's like that. Anyway, I am more accepting of his character setting than Toshiaki Jin/Otomo Keyyo/Hao Miyazaki and the others, even if he has a rounded chin in the middle (you are clearly resentful about this, right) people can still be drawn beautifully . So fine that you can see the hair fluttering, and the lines of the face are condensed and clean.
Scenes
are fully in service of narrative, worldview and atmosphere. The sky in the pilot's field of vision, it's really not easy to do something so advanced. Correspondingly, the buildings on the ground have a simple and dignified texture, the sound of rain falling on the concrete floor with incomparable clarity, and the lingering hazy sky—different from Makoto Shinkai’s watercolor paintings that make good use of bright and transparent light—and the realm of the sky. Leng Yan is similar in temperament: it seems that the luxurious cool color scene will carry forward from the beginning of Oshii Mamoru.
Characters (this stuff is so hard, so last)
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While writing, While listening to the soundtracks of The Seven Mile Journey - A Sanctuary for Lugubrious Tracy and the sky crawlers, the atmosphere fits unexpectedly
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