Adhering to the consistent mechanical texture of Mr. Oshii Mamoru, the characters will never be inseparable from the control of battle and fate. Represented by Kusanagi Suizumi, the program that is set runs for years. Gradually became conscious, realized the emptiness of the meaning of existence, and developed a sense of resistance. In this sense, it is still the same story as
What I like is that the characters are portrayed delicately and quietly. Everyone can feel the strong emotions in their hearts. Mizusu Kusanagi came to Hannan's camp bed and buried her face deeply, a dangerous lingering in the underground tunnel at night. All people can sigh that this woman with the same surname as
the whole film. The coldness between people in the whole film is also the reason that attracts me very much. One. Treat your battles as ordinary work and take it lightly. It doesn't matter if you are looking for fun. It reflects the pallor of his heart. The second is the sense of mechanics and combat. The shots are all breathtaking, the switching between shots, the sound effects, I haven't seen too many war movies, but I think it has satisfied all my imagination of aerial warfare.
The smoking scenes that appear in the film, I think it represents The eternal son’s inner conflicted desire not to become an adult. Smoking is an act of adolescent boys and girls pretending to be mature. Hannan also said that a non-smoking boss, I don’t think I can trust it. To become an adult is actually a destiny they cannot achieve. , but refused to admit it, saying that she did not want to be. Kusanagi gave birth to a daughter with an adult man and shot his lover, all in order to break the eternal fate.
In the ending part, I think the director's view of changing fate is pessimistic. When Hannan pointed the gun at Kusanagi, he chose to let her continue to live. Maybe when he was shot last time, he actually made a He made the same choice, so he was the one who died instead of Kusanagi? In the final battle, Hannan chose one person to rush to the "Godfather" and decided to change his fate. But after the subtitles, the one who appeared in front of Kusanagi's desk was A new Hannan. All this may have been repeated countless times. People pretend not to know, don't mention it, and still repeat their own life day by day. And Kusanagi, as a person who constantly witnesses all this, how can What to choose?
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