The voice of memory

Justina 2022-12-16 11:20:41

This is the most beautiful photography I have ever seen. Lighting and framing make every shot, every frame, ready for a photo exhibition. Now the so-called warm-colored small and fresh photos are simply weak and bursting. Although there are many long shots in the film, the scenes are full of tension, and the pictures are beautiful and moving; although the objects in the scenes are static, the emotions beneath the surface are surging freely.
It's Hirokazu Koreeda who is my favorite Japanese director, completely conquered from "No One Knows" to "Never Stop". His films always make me calm. Whether it is sadness or joy, he carefully selects every detail in his life and presents it in front of your eyes without rendering, just stating and recording. It dawned on me that life was the same everywhere else here.
The life of the seaside village in The Lights reminds me a lot. Not the picture, but the sound. The creaking of the wooden door, the silence in the early morning, the sound of the sea clap on the shore, the sound of the heavy rain, as anyone walks in, they will find a door of memory, stop, and then turn and leave. Memories can never be returned.
I can't say that I understand everything. After all, I have too little to support all my emotions. After I stay, I will recall something and continue.

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Extended Reading

Maborosi quotes

  • Yumiko: It's harder to say goodbye if we keep postponing it.

  • Yumiko: [Recalling her first husband's unexplained suicide] I just... I just don't understand! Why did he kill himself? Why was he walking along the tracks? It just goes around and around in my head. Why do you think he did it?

    Tamio: [after giving it some thought] The sea has the power to beguile. Back when dad was fishing, he once saw a maborosi - a strange light - far out to sea. Something in it was beckoning to him, he said... It happens to all of us.