There are always many difficulties and setbacks in the beginning, but it doesn't matter, because soon there will be a heroine to rescue. Township youths are simple and honest on the outside, but in fact they are no less intelligent than you in the city. . It seems that the heroine has a smart mind and uses this simple young man everywhere, but she doesn't know that you have already become a turtle in the urn.
On that stormy night, the thunder struck the ground, the flames provoked meteors, the two struggled at the bottom of the society and lived with each other, coupled with a reasonable physiological response, they finally surpassed the relationship of friends and jumped to the height of a gun friend in one fell swoop. level of development prospects.
Later, the plot became clearer. According to the urine development of the story, the gunmen will be punished by God. The township youth and the hometown Xiaofang get married, and the very enterprising heroine is on the list, so they will go their separate ways. But the two of them are still in love (well, it's reasonable, but tangled), so there is only two cannons and two cannons. After some twists and turns, in a word, the final theme of this film is that the friends of the guns get married.
The above text seriously shows that I am a person who is not good at telling the plot, eh.
When I watch movies, I usually don’t discuss it from the perspective of moral sentiment. There is nothing wrong or not, only love or not. So from the beginning, Xiaofang in the village was destined to be a foil. The details of the letter writing, the deep affection of the monologue, and the hesitancy to speak on the phone, although all the details show how much this township youth loves Xiaofang in the village, but after all, the family has a long way to go, and it is difficult to expect an answer. It's worth taking the material, right?
In the final analysis, Li Xiaojun is a man who is incompetent and has no ideals (don't tell me that picking up Xiaofang to marry in Hong Kong is his ideal, that's not true), he loves each other but dare not love each other. I had to doubt the screenwriter's intentions with evil thoughts. I felt in my heart that Li Xiaojun's simplicity was only his appearance. Would he not know the consequences of the split? Even if it was a thunderstorm that day, why would it be repeated again and again? The simple appearance is just a sympathy card played by the screenwriter to make this character more in line with the audience's psychology.
Yes, he actually enjoys it. In fact, he is reluctant to give up on both, he likes both (actually, it makes it more difficult for me to choose, haha, I like both), but on the other hand, he has a struggle in his heart. He clearly knows that he has a commitment to Xiaofang. Xiao Qiao couldn't let go.
Consequentially, this is undoubtedly a lose-lose situation. But maybe some people will say that all I care about is the process, I don't care about the result. Ouch, forget it, you shot one shot alone, isn't that the result? You don't care about the results, just be friends and don't fuck. Right.
This kind of man is the most annoying, obviously because he is happy, and he still feels aggrieved and tangled all day long, buddy.
I really like Maggie Cheung's character. Simple, straightforward, and honest. She is a woman. If she stays in the country and finds someone to marry, she will be virtuous, virtuous, husband and child. But big cities have no gender, dear, no one cares if you are a man or a woman, you can only be a man if you have the strength. Li Qiao has been working hard. But she is a woman. A woman is easily frightened, easily scared, and easily injured. She needs to rely on and a person who can give her warmth.
In the front is Li Xiaojun, and in the back is Brother Leopard. Li Xiaojun's is love, and Leopard's is loyalty. So she was decent and generous at Li Xiaojun's wedding, but she couldn't sleep at night; and when Brother Leopard went out to sea, she would not turn back. Love is tangled, but loyalty is a matter of a sip of wine and a knife.
This is my second best impression of Zeng Zhiwei. Lao Du is still as unrestrained as ever, just like his illusory and blurred lens. Loving someone is actually very simple. There is no difference between day and night, and the stars do not distinguish. She can go wherever she goes, and she can do what she wants. Because God brought you down to me is the best reward, what more can I ask for?
So Zhai Luwei calmly faced life and death, Kai Lan, she has AIDS. She wants to go back to her hometown in Thailand to see.
Generally speaking, this is a film with a high production level, but Chen Kexin always seems to be worried because of his commercial failure. In fact, I think this is the case. No matter what achievements a director has achieved in business, if he does not have a personal narrative of his feelings as a footnote, his career as a director will be quite a failure.
PS: Finally, let's talk about a technical problem. We all know that the use of the black scene in "Love in the Hawthorn Tree" makes people collapse, and the plot always ends abruptly, which is very surprising. And this "Sweet Honey" also uses a lot of black scenes and time to transition, but the transition is very natural and smooth, and the sense of time is expressed very clearly.
Teresa Teng is a line of time, starting from setting up the stall, to signing, to her death. And every time before the end of the black scene, the end of the black field is more clearly explained. We can fully understand the trivial part of the part he hacked, and it can be taken for a long time.
And the black part of "Hawthorn Tree" is precisely the node connected by the chain.
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