There are not many movies that specifically express the "love" of Chinese families. There are similar expressions in Ang Lee's film. And Gu Changwei seems to want to say that life doesn't give too much extravagant space for emotion.
This movie gives full marks to the acting skills, all of which are powerful interpretations.
Sister Tao is a simple person, and she doesn't have the kind of communicative mellowness in dealing with people. She will directly say that the bowl of bird's nest specially made for her by the owner is not good at cooking, and it tastes fishy, which makes the owner look black. At the same time, this is why people completely accept her as a family member.
Sister Tao's tolerance towards Uncle Jian can't help but make me happy: "As much as you eat, eat as much as you can."
Many of the resonant points in the movie that everyone mentioned in the film review, probably only those who have taken care of the people around them who are bedridden and who have experienced this kind of "life and death" can really understand it.
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