It is very flaming, the atmosphere of the times is captured very accurately, and the way of service conforms to the characteristics of the beginning of this century. The image of Uncle Ma as a policeman is particularly successful. The Bodhisattva has a heart and a thunderous method. He cares for the vulnerable groups. In addition to Uncle Ma, the supporting roles are also very successful. For example, the squad leader is stingy and smooth, and the portrayal is vivid, adding a lot of laughs to the movie. Another example is Wu Dongjun, who was cowardly at first, then brave, and finally turned into an old fritter who can deal with criminals with ease. Witnessed the growth of a young police officer; another example is a hot pot restaurant boy who has always had a sense of justice, a small shop owner who was forced to succumb to thieves, and so on. In addition, the appearance of the KTV foreman is really high, but it is a pity that there are too few shots, and a chance to be pleasing to the eyes has been lost. The arrangement of the jokes is reasonable, the rhythm is fast, and the rhythm is not procrastinated. The viewing experience is very relaxed. There is a fly in the ointment, too much force, too intensive play, and inevitably a bit of aesthetic fatigue. However, the story is a failure, and Zhang Qiandan is the biggest failure. In the 21st century, you cannot be the boss by fighting and killing. What you need is your brain! It's a pity that the black bosses in the movie are all fighting their fists. Zhang Qiandan is portrayed as a hysterical person who behaves erratically, sleeps with his little brother's wife, eats a bully's meal, and only knows how to slash people with a knife. Does the director have any misunderstanding of the gang? The most ridiculous thing is that Zhang Qiandan is obviously a black man who smuggled to South Korea to avoid the Chinese government's crackdown on evildoers. Do you want to help the compatriots to complete the Kpi?
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