He was a leader in last year's Chinese literary films, a good director, a good actor, and a good script. The three dreams, in the slow movement of the camera, are connected in series like a dream bubble, like the road and the time of electricity. The picture is still warmed by the eyes, at a speed of 24 frames per second, it touches the heartstrings. The youthful and beautiful dream of love is like the scene of a soldier riding a train looking for a billiard girl along the road, or a wave of smoke passing by in the roar of a ferry, flickering like the initial light. The lightness of the dream of freedom, the warmth of the dim light, and the fragrance of orchids at night. Although the way of silent film is a bit dull, it is very suitable for the time and the scene. What is the meaning of freedom, is it a country? It's still the love of that era, one song and one poem, warm water and white towel. In many cases, not saying is the most appropriate expression. The female artist played by Shu Qi sings Yi Ya's incomprehensible opera, but there is nowhere to say a bleak long. Zhang Ailing said: Tragedy is a kind of completion, and sadness is a kind of revelation. The dream of freedom flowing silently may be the director's unspeakable narration. The youth dream in the third paragraph should be the most selling point of the whole film, nightclubs, electronic music, LOMO, bisexuality, marginal youth, typical narrative elements of the post-industrial era, with a cold metal taste. The two hugged each other, just to keep warm. No matter how tight it is, the distance between hearts is still separated by mountains and seas. So alienated and violent youth, how can it be called the best. Everyone's youth is a dream, a chemical insanity. Like a sentence in a poem: Do you think youth is a good thing? It is like a thawing swamp, so destroyed, so freed. But who doesn't feel sad when they look back at those days? It's best because I can't go back.
The title of this film is Zhu Tianxin's husband, which was taken by the famous Taiwanese writer Xie Caijun. Hou Hsiao-hsien said: The best times are memories that cannot be regained. mean. Many people have written their afterthoughts, but the one I like is the one from Jiechen: the best times are all betrayed. That's right, Hou Hsiao-hsien is very familiar with life.
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