A film from a long time ago, because Zhang Zhen paid attention to it. I don't have any special good or bad feelings towards Shu Qi, and from time to time I suddenly envy her sexy lips.
In the film, the way she sang a few times is not quite in place, I don't think she has the precipitation of a classical singer or the air of a ballroom singer. However, she walked around in loose clothes, and the charm came out through the years. Knowing why the director used her, her breath is slowly condensing, but after watching too many of her films, it is difficult to get rid of the mold that always exists. And how the same sex will inevitably be excluded.
Zhang Zhen's performance in the film is actually mediocre. I think at that time the director saw him not because of his performance but because of his feeling. Compared with his performance in Korean director Kim Ki-duk's "Breathe" last year, it can be seen that he has grown a lot.
Youth, freedom, love, plus life itself. This may be the key word that entangles a person's growth. Whether your experience is dazzling or sloppy, as long as you are a tiny creature in the air, you will always be troubled, tangled, grown, and decayed by a certain element at some point in time. It's life and it's a game.
The so-called best reminds me of the usage of a and the in the highest level of English, which are all based on the premise of contrast. The best here, is it to use a or the? Many times we are unwilling to be discouraged. Maybe we can’t find a new emotion or mentality to replace in the end, but just for this process, the sense of reality that has existed makes us willing to run on the blind road like this, run and run. Running...
The music in the film is much better than the film itself. After all, the tracks are all classics, and this is only a small part of what makes a classic film. The precipitation of time can prove a lot.
So be it. If it doesn't matter, then assume this time is the best.
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