The three unrelated eras, even the order is illogical, but the three deepest dreams have been achieved. Anyone's dream is nothing more than love, freedom and youth. I just want to say, slow down, slow down...
[Love Dream] I
believe that no one who has watched these three paragraphs dislikes this paragraph. At least not like the second and third paragraphs, some people feel sleepy. In Taiwan in the 1960s, the story at that time was the director's own story. In an era where life is simple and transparent, but the future is uncertain, two young people who are not familiar with each other are just a brief game of billiards before Ah Zhen's service, one sentence I will write to you, and then a few pure white correspondence. In those days, love would happen like a stream of water. Their love is not A Zhen's painstaking search for it, not his hands tightly hooked under the umbrella in the rain, but the moment when A Zhen leaned over to hit the ball at the beginning, but the phrase "I will write to you" at the door of the billiards room. Love breeds like time, and the years are inspiring. I just hope that this kind of simplicity can be slower and slower.
[Freedom Dream]
This section is the easiest to lull people to sleep. There is no dialogue, the dialogue is presented in the form of a silent film, and the nanguan singing is occasionally heard. The 1980 Reform Movement, the Reform Movement, and the half-century of reversal, has become a scholar and an artist. Explanation in one sentence - "A literati who wants to liberate China, but cannot liberate the woman he loves", looking back with sadness. The Buddha said: Don't say it, don't say it, once you say it, it will be broken. Say in Yidan, how do you think about my future. All the silences are broken, as promised. "Knowing that this is sad, I also went to Weizhou head to come back. In the seventeen years, so many things have happened, and the late waves of Chunfan downstairs mourned." So, should such a forbearance emotion be like Yidan's sing-song, slow and slow?
[Youth Dream]
Many people didn't like the last monologue about youth. Maybe it's not this kind of story that I don't like, I just wonder how this cruel story of youth comes from Hou Hsiao-hsien who walked out of "My Childhood", "Flowers on the Sea" and "City of Sadness". Such brushstrokes are more like Cai Mingliang, and coloring like Iwai Shunji. Bisexuality, smoky makeup, rock, lomo, all avant-garde psychedelic, deviant and deviant abilities are looming, but painful. The deepest impression is the tattoo with the RMB symbol on Jing's throat. In an unfamiliar city full of desires, the dream of youth is like an abrupt tattoo representing desire, stuck up and down the throat, but it can only be in the throat and can't get into the bottom of my heart. So, what about love? The same-sex girlfriend said "You will regret I will die." After the farewell represented by a muffled sound, Jing returned to the bed, slow down, everything just needs to be slow.
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