——Floating life is like a dream, what is empty, where to go.
The only feeling after watching this anime is the absolute cleanliness.
and ethereal.
There are very strong Chinese elements in the animation. Hakka enclosures, red lanterns, lotus lanterns, oil-paper umbrellas, Santu River, Mengpo soup, sacrificial ceremonies... Kawabata Yasunari mentioned that as long as the works can express their own culture, they are excellent works.
There is no doubt that "Big Fish and Begonia" is not perfect, but it does.
As far as the plot is concerned, in addition to the tragic love like falling flowers, I personally feel that there is self-redemption belonging to the female lead Chun and the male lead Qiu (Kun and Chun personally feel that there is no love). Chun's redemption has two parts, one is to kill Kun Kun himself, and the other is to redeem the clan. As for Qiu, his redemption has undergone a transformation. He never understood the choice he made in the end. To be honest, after seeing that Qiu finally took over the position in charge of the living and the dead, disappointment and happiness coexisted.
Needless to say, the picture is exquisite from the beginning to the end. It feels like watching Hayao Miyazaki, but you can also feel the difference from Hayao Miyazaki; I was really shocked by the music, for a person who pays more attention to watching anime BGM than the plot. Said, I really can't pick on the music, Tsubaki's grandmother helps the music there is really grand. However, it is a pity to have the help of the Japanese soundtrack. The ending is rarely as bad as many animes, and the ending is very pure and clean.
Tucao area: Big stupid has been complaining about why phoenixes live on begonias other than parasols.
Give me back!
Stand still for the CP pair of Matsuko and Zhu Rong.
above.
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