The 2nd screening day of the main competition unit of the 11th #Faro IslandFilm Festival# will bring you "Little Hero Toto". The following is the emotional and complex evaluation of the shabby boys on the front line!
Grid artist:
Full of skill.
Cornices:
Is childhood the epitome of life?
Shawshank Prisoner:
The ultimate meaning of life is to change a childhood.
Sparrow:
The montage method shows the ordinary and irreplaceable life, and everyone is their own hero.
Queen of the Faroe Islands:
The life that was taken away in the fantasy really took the happiness that should have been, and it is a tragedy with the inevitability of the times and personal accident.
Not a rabbit slot:
Freud's childhood visions, eventually becoming God's perspective, turned into floating plastic bags and dust. The switching of parallel narrative perspectives is extremely smooth.
cost wood:
Fantastic, dynamic. Some people spend their entire lives chasing what was missing from childhood. A long sigh of relief, is this romantic ending, a moment of relief for the audience.
Fruit trees:
Fragmented narrative fragments and video clips fit perfectly with this tale of scattered fragments of a lifetime. The stream-of-consciousness style revealed in it resonates with people, but unlike Bergman's confessional stream of consciousness, it has a surreal color.
swipe:
At the end of my life, I finally exchanged my life with someone I had been jealous of all my life. When the way of death in my imagination was realized, I reached the climax of my life. The three time and space transitions are super natural, and step on every logical point of mine precisely. At the end, I thought of Citizen Kane's rosebud. Is the source of tragedy in one's life really all in childhood?
I know a little about her:
A life imprisoned by fantasy, indulging in tragedies that cannot be extricated, exhausting childhood memories and unable to reopen the door of life, hatred and jealousy are the most bitter poison in the world, but everyone is happy. When fate is enslaved, complexes bind complexes, emotions build emotions, wills betray wills, and wills gather resources, all unbearableness may only end when old and nowhere to go, instead of giving up dreams and letting go of yourself.
Midnight no one:
Among all the complex emotions in the world, only jealousy can last a lifetime. My name, my parents, my family background and wealth, the path of life I should have taken, the woman I fell in love with who saw me for the first time in my life, are all in my imagination by you steal. The malicious display of human nature is undisguised, the eagerness in childhood, the repeated frustrations in youth, and the crazy fantasy in old age. The three narrative lines go hand in hand to deliberately create a sense of confusion, but the editing of the shots is very personal. In the final God perspective, insignificant dignity has been burned, and you use the twist from life to death to set things right for yourself.
Bob_Chow:
Dexterous and skillful, the lens is dynamic but still lacks a bit of aura compared to the new wave masters, with sharpness but no wit. The script structure is complete, the interpretation of the two meanings of the same shot (kill him and kill him) is reminiscent of Picasso's cubism (different meanings of geometric figures placed in different contexts), the montage is varied but makes people feel overworked fierce. Some of the shots and designs are somewhat disgusting, such as over-sexualizing the relationship between siblings, and stereotyping the disgusting fat boy next door, and some characters are more symbolic and flat, such as father and mother, which have become occupations and images. Symbolic carrier, lacking a self-contained sign.
#FIFF11#DAY2's main competition publication rating will be released later, please wait and see.
View more about Toto le héros reviews
