ugly

Scarlett 2022-09-22 10:58:06

I didn't look forward to 12 years. I thought from the beginning that this thing would definitely not be as expected, because often too much expectation is always unsatisfactory. After reading the various comments in the past two days, I did not have any expectations. And the mentality of watching jokes, the result~~~~~~ is really ugly~~~~~~
Who said this thing is imitating Hayao Miyazaki, this statement is nonsense, and it really has nothing to do with Hayao Miyazaki, I didn't even stick to the side of the imitation. It's really boring to discuss who comes first among the various elements in it. I will go to the cinema or go to the so-called fine art of the masses, but is this really worth your praise? I don't think the nine-color deer are well drawn. The background is grand enough, but As far as the current special effects production method is concerned, this is really gross. It's not that the domestic animation has not been brilliant, and now I can't even find the original original intention. Why should I praise this kind of work that has regressed to a barely passing level? It's still 12 years. ~~~~
I don't want to talk about this three views. If we have the same three views, we can all become soul mates. There are many movies with bad views, and we don't care about domestic and foreign countries. The key is to be a movie, especially As an animation, where is the plot? Either you have the ability to pretend to be literary enough, or the plot is enough to catch people. You can use the advantages of animation to tell the story. Again, the animation is young enough to be considered a function of animation. , it turned out to be hairy? I almost fell asleep in the second half, the boring plot, the procrastination. The setting of the characters and those interesting images as fantasy animation lies in the advancement of the plot and the presentation of details, but Big Fish and Begonia are out of touch in these two aspects. There is any promotion effect, and in turn, the plot has nothing to do with these images, what is the significance of this. bored to death.
How did this kind of thing become what people expect? Is it because the marketing is too good, or we, as the audience, are generally too cheap, and who comes first?

View more about Big Fish & Begonia reviews

Extended Reading
  • Bernhard 2022-03-19 09:01:09

    The art is not bad, but the Chinese style is exaggerated into the Japanese style, just like Hayao Miyazaki's son Miyazaki Goro filmed a Korean idol drama with a dog-blooded green tea bitch Marisu. The world view is good, and the logic of the story is not rigorous enough. If the narrative strength is not up, it can only be supported by the soundtrack and sensationalism. The most outstanding is the spare man, and the big fish has no personality. This person has a moment. Collapsed. But the domestic animation is made like this, which is very good.

  • Crawford 2022-03-19 09:01:09

    I won't talk about the style of painting, everyone knows where the root is. From the whole to the details, it is basically an imitation, but the imitation is better than the others. It is the kind of imitation of super fans. The ostentation of 12 years of sharpening the sword is actually just because of lack of funds and unable to continue to produce it. It does not last for 12 years every day, so there is really no need to use this as a selling point. Not stunning, not clumsy, very mediocre, relatively rough in the second half.

Big Fish & Begonia quotes

  • Lingpo: What brings you to the Island of Souls?

    Chun: There's a soul I'm looking for: the soul of a human boy

    Lingpo: What time was it he died?

    Chun: It was two days before the wheat harvest.

    Lingpo: You need to be sure of the date. Otherwise you're searching for a needle in a haystack. So many die every day.

    Chun: I'm sure. It was my birthday.

    Lingpo: I know what you're trying to do, girl, and it goes against the laws of nature!

    Chun: I don't care. I've got to save him!

    Lingpo: The punishment is harsh for those who defy nature, no matter who you are, so you *should* care.

    Chun: But I owe him, for saving my life.

    Lingpo: How very touching. I've been stuck here for 800 years, and I'm still not done paying penance for my sin!

    Chun: But you didn't...!

    Lingpo: Don't interrupt! Let me tell you what real tragedy is. Meeting someone you care about so much you forget yourself and make a mistake. So then you go back and try to fix it and make things right again, and then you learn that fixing it's impossible.

    [chuckles]

    Lingpo: We can never undo the wrongs we've done. This I know.

    Chun: You're saying you won't help me?

    Lingpo: I'm saying I pity you. Besides, resurrecting someone from the dead doesn't come cheap.

    Chun: What would it cost?

    Lingpo: No less than a lovely girl's loveliest features: your eyes.

    Chun: [winces]

    Lingpo: [laughing] Now she's scared.

    [chuckles]

    Lingpo: Don't want to give up your pretty eyes, eh? All right, I'll take half your life instead.

    Chun: If that'll save him, take it.