This script does make people feel that it is not polished enough. It is not logical to say that there is a story line, but the details are not good enough. Some supporting characters may not be important to the screenwriter, but the audience will look forward to it. For example, the rat woman, a character with a sense of existence beyond the protagonist, saw her tear off her coat on the boat heading for the world, revealing a tube top and a slender waist, and her face became younger. To be honest, I feel really sexy, I want to know Her later story, in fact, I believe she can live happily in this world.
Well... the movie is the movie itself, I don't care what the team has, or the feelings of your team. As an audience, I just want the movie to be good, and I don't care about the rest. If you make a movie, then it’s good to sell the movie. Selling the feelings of a miserable sale will not make the audience more tolerant towards it, and excessive publicity will only make people more disgusted. It's not that you can't sell it, but please don't overdo it.
As for the character design, I think the protagonist himself is still a child. It is understandable that he is naive, "made", one-sided, and reckless in doing things regardless of the consequences. Like Chun and Qiu, they are just two silly children who think they are adults and always want to do something. They believe that if you are full of water, you can live or die. They want to save the people they love, and by the way, they want to save the world. , but lack of thoughtfulness, lack of ability, good intentions to do bad things, all kinds of slapsticks. But when we were sixteen or seventeen, we were not mature enough to do things, so this story can still be established in the world of immature people. It's just that I don't particularly understand why Chun's grandparents unconditionally support Chun's act of taking the risk of the world without considering the consequences. Is it just out of love? Inspired by Tsubaki's motives? The beginning is a coming-of-age ceremony. It should be a story about growing up. It is not only for the protagonist to observe his own workshop to know how it works, but also to let the protagonist really begin to become a mature person. I think the real "growth" "The theme is to let the protagonist finally learn to be responsible for his own behavior. However, this film has taken this over, and I can't say no, but it is too shallow, and I feel that the protagonist has not grown up in the end.
Finally, I was thinking, if there were no such vicious labelling words as "spare tire", "Notre Dame's disease", "Mary Sue", "white lotus" and "green tea bitch", would people be more objective when watching this film?
View more about Big Fish & Begonia reviews
