Of course, this view of mechanical materialism will naturally be criticized by many humanists. They believe that love either comes from the most noble feelings in the human heart, this feeling is constantly looking for its own object, and once it is found, it will burst out the flame of love.
Of course, the above two views have their own rationale, but for the director of a romance film, he must turn a deaf ear to these views. Because what he wants to figure out is how to make actors who are not lovers feel like a lover, and make every audience fascinated by it, moved by it, and fascinated by it.
The first thing a successful romance film needs is a successful actor. Clark Gable is obviously the most suitable. If the ten most masculine actors in film history were selected, he would definitely be among them. Gable's charm comes from his delicacy, tenderness, masculinity, plus a little bit of mystery. The role played by Gable is always not famous, because he has a rough temperament, which is obviously incompatible with the delicate aristocratic atmosphere. His way of expressing the heroine's feelings is natural rather than deliberate.
Warmth: Get up early and bring a breakfast cooked by yourself for the tired, awakened heroine. Masculinity: Desperate to chase the thief who grabs the bag for the heroine, and defeat the cunning car bandit road tyrant. Tact: In the face of other people's blackmail, fictionalized a kidnapper's story to scare others away and a duo played by the heroine in response to detective inspections. Integrity: When there is a chance to get a reward of 10,000 US dollars, I walk away and only ask for the 39.6 US dollars that I have paid. Of course there is poetry. After he settled down the heroine, when asked about the name, he said:
I'm the whippoorwill that cries in the night. I'm the soft morning breeze that caresses your lovely face. I was in the night nightingale sing, I was early in the morning breeze caresses your cheeks cute
half awake, half-truths , The light and graceful sentences are accompanied by Gable's deep and deep voice, which is indeed a poetic work.
Of course, the heroine also has her own tricks. The scene of Claude Kaulbai showing his jade legs and riding a ride is indeed a classic among the classics. ——Although only half of the calf was exposed at the time, it was enough in the United States in the 1930s. On the contrary, in many movies nowadays, the film that starts from the base of the thighs makes the heat nauseous. Western women can't compare with Eastern women in how well they show their legs. Therefore, cheongsam can only be worn on oriental women.
The script of the film is a story from a popular newspaper at the time. This story can be regarded as another "Roman Holiday". In these films, the heroine's appearance is beautiful, the status is noble, and the circumstances are embarrassing, and the personality is rebellious. The movies at that time can be said to have played such a role. They worked hard to break the barriers of high and low dignity in reality, and let the public feel the breath of the deep palace.
In this way of thinking, it is obvious that the male protagonist has become an alternative hero. They are not using the sword in their hands to slaughter monsters or dragons to get the princess's heart, but use their love to capture their heart. And such a love that breaks boundaries is truly true. Of course, the creation of chance can only be a coincidence. Or, it can be said to be fate.
For love, interest comes first, and ability can be cultivated slowly. Otherwise, the only thing that will be delayed is the romance of that night or a moment.
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