The shapes
are basically traditional costumes, and the shapes and costumes of the supporting characters are more interesting. But I haven't seen such a traditional setting for a long time. Some people may think that there is no development, but they must also understand that domestic animation is not doing enough in traditional exhibitions, and the stories in ancient books with traditional themes are far from enough. 7+1 points:
Kun is kind-
hearted, selfless, and persistent. Chun's behavior pitted the whole village, and then merged into the begonia tree to mend the sky. "As long as the heart is kind, right or wrong belongs to other people" is slightly more flawed. The 5+1 (for the chrysanthemum)
assignment of Yin
Ling Po is very good, and the Rat Po is also very interesting. Some female protagonists are easy to play to the empress, but I haven't watched those films very much, but they didn't play. The overall dubbing level is very high, and there is still a common problem that the mouth shape does not match. There is no need to say that the soundtrack of Mr. Yoshida is barely 8
distributions , and it fits very well with the film.
10 points . I didn't notice the collapse of the
character painting , and the overall feeling is normal.
6 points
background, 3D,
there is nothing to pick on the background of photography, 3 points for this part. The 3D effect is optional, and the overall feeling is general. 1 point. There are a few blunt transitions, 1 point. A total of 5 points
of storytelling
seems to be average, I'm not very clear about this aspect. There are 6
story types, the
main line of the plot logic is simple, and the mythical life and death triangle relationship in the alien world.
The logic of the plot is easy to be considered problematic, but when you think about it, it can barely make sense.
For example, why did Tsubaki finally have things that were not in the human world, and why did they come to the human world? But if you think about the details carefully, it can still make sense. Tsubaki has no mana at the end, and returned to the human world as a dolphin just like the beginning. Because the rat has human things, she can go to the human world in human form. She should also be able to use mana when she arrives in the human world, but from Tsubaki's first encounter with humans, she cannot use mana because she is in the form of a dolphin.
Many details could not be explained clearly.
6 points of
character relationship
Kun saved Chun, Chun wanted to save Chun in return, and Chu liked Chun so he wanted to help Chun. A love triangle is not even considered, because Tsubaki is repaying Kun, but I haven't seen it as a love. Distressed for three seconds. 7 points of
entertainment elements
include laughter and tears. Not broken, not broken. The three protagonists have each died and been resurrected again. This is the first time they have encountered each other. Feelings for 12 years, each flower into each eye. 5 points
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Summary, excellent painting and soundtrack, simple plot, too many details to explain clearly. Watching the film too rationally will make it impossible to watch. All in all a decent work. However, due to emotional publicity, such a passing performance can easily be given a low score. 3-4 stars is reasonable.
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The second brush came back and found that the transition of the public release version was better than that of the point release version. There were a total of 4 direct black screen transitions at the time of the screening, and only 2 at the time of the public release. The viewing experience has improved a lot.
Some details were also found:
Qiu stole the mask and forcibly opened the gate of Haitian, and as a result, the disaster quickly expanded.
When Kun's sister cried in the rain, her mouth was too open.
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