Such "Big Fish and Begonia" deserves to be "difficult to give birth" for twelve years! !

Melyna 2022-04-19 09:02:51

Recently, there was an animated film "Big Fish and Begonia" that caused a heated discussion on the Internet. When the official release was announced, "a 12-year appointment with you" was called out. People who liked her said it was a masterpiece and the hope of Guoman. People who don't like it say that it's crazy, bounced tickets, and the word-of-mouth differentiation is very serious. I can't help but think about this animation that has been dragged on for twelve years. How dare the official use it as a gimmick to promote it? So, I watched several versions of the trailers and posters in the mood to watch the fun and not be too big of a deal.
Knowing the truth, my tears fell and I just wanted to say one thing!! I really deserved 12 years of "difficult labor"! !
Then I still want to briefly talk about the reason why Big Fish and Begonia, who have been "difficult to give birth" for twelve years, "deserved for their sins"!

PART 1 Detail
Control, Force Virgo to Death It can be clearly seen in the picture that not only the names and time of the deceased, but also the cause of death of these people can be seen. Some suffered from stomach problems, while Kun was killed in a shipwreck. As an important prop in the play, the walnut bell plays the two roles of calling and connecting the world. The painting pattern can be seen from the Yin-Yang Pisces pattern in the middle of the Tai Chi map. The well-known Taiji map is shaped like a yin and yang fish intertwined with each other, so it is commonly known as the "Yin-yang fish Taiji map". In modern times, many people believe that the Taiji map of Yin-Yang fish originated in the primitive era, and some even think that it is a gift from foreigners to human beings in the ancient times, or the only token left over from the last or even two or three times of civilization destruction before this human civilization. Such a token left over by human civilization has naturally become a token of inspiration and connection to the world in the play, which also increases the authenticity of the token in the story. It is color and emptiness, Lian Haici sails through six degrees; neither birth nor death, the incense Tai Hui Ju enlightens the three brights.


















The couplet at the entrance of Ling Po’s residence comes from the Buddhist couplet inscribed by Emperor Qianlong in the Falun Hall of Lama Temple in Beijing. Generally speaking, the first two sentences come from the Heart Sutra: “Sarizi, form is not different from emptiness, emptiness is not different from form, form is emptiness, emptiness is form , Feeling, thinking, deed, and consciousness, the same is true. Sariputra, the emptiness of all dharmas, neither arising nor perishing, neither impure nor pure, neither increasing nor decreasing."






Source of the main scene In Fujian Tulou, it can embody the ancient people's cognition of "round the sky" and "living together with the same surname".
"The sky is round and the place" comes from an embodiment of the ancient theory of yin and yang. Taoists believe that: "the round sky" must be harmonious in mind in order to be accessible; "the place" must be strictly regulated in the order of things; Chinese traditional culture advocates "the unity of nature and man" , pay attention to imitating nature, and the principle of "round sky and place" in Feng Shui is a special annotation to this cosmology.
"Housing together with the same surname" is also a product of the traditional Chinese patriarchal system. Chinese surnames have continued for four or five thousand years. They have always been the main external manifestation of the traditional Chinese clan concept, and record the Chinese nation's history in a special form of blood culture. form and multiply. In the Fuxi era about 5,000 years ago, surnames were defined as hereditary and passed on by the patriarchal line. The clan concept was deeply rooted, and there was the custom of living together with the same surname and cultivating family clans. Countless groups of the same surname were formed in China. (I think that my father also came out of X's village, and my surname was replaced on the lantern. I guess I would be a little excited when I saw it.)
Fujian Tulou is the crystallization of the architectural wisdom of the two, and it should be used in the film. It is to increase the audience's resonance and national identity to the traditional culture in the film.

Although there are only a few brief illustrations, it must be seen that the crew of the Virgo plot is also very painstaking in the setting of props and scenes, so chasing the extreme will naturally increase the difficulty of film production.


PART 2
increases knowledge, scary serious face

The 30 character posters announced by the official before, each character has its own story or legend behind it, each one is a drama, and each one is also a tear!
In addition to the protagonists Chun, Kun and Qiu, who have long been known to the audience, the characters are derived from "Zhuangzi·Xiaoyaoyou", and there are also characters from various myths and legends and ancient books, such as the Chisong of the Rain Master of Shennong. The son, Zhu Rong, the god of fire who rides the dragon in clouds, Lei Zu, the mother of the silkworm, Shennong, who knows all kinds of herbs, etc.

There are many articles analyzing characters, here is just the following.




Spirit Po & Rat Po/Cat and Mouse Games
The ghost woman who lives in Tongtian Pavilion is in charge of the dead souls of good people and accompanies cats;
the rat granny who violates the rules of heaven is always in the lower realm, and she controls the transformation of The mouse of the evil spirit;
one righteous and one evil, symbolized by the natural enemies of cats and mice, good and evil.

In addition to the characters, the source of details of myths and legends is also the highlight of the play.


According to the

trailer
of the final version of the movie, the plot of Chun, in order to save Kun, caused the natural disaster of the ominous thing, the connecting sea and sky gate failed, and the sky of this world became a hole, The backflow of sea water in the human world caused floods in this world, and the chinchilla, which was in charge of the growth of begonia flowers, finally turned into a begonia tree, which struggled to grow and eventually filled the tiankeng.
Tsubaki's way of redeeming himself for his own faults this time is similar to the ancient myth of Nuwa mending the sky.



Phoenix Nirvana
is also a natural disaster that triggers ominous things. The begonia tree summons the phoenix through spontaneous combustion, and the phoenix flies to the fire.
Legend has it since ancient times that the phoenix symbolizes happiness in the world. Every five hundred years, the phoenix must bear all the pain, grievances and hatred accumulated in the world, throw itself into the raging fire, and exchange the end of life and beauty for the peace and happiness of the world.
Here, the phoenix is ​​reborn through the ashes of Nirvana, does it symbolize the rebirth after the natural disaster, and the home has reached a state of eternal security, peace, happiness and tranquility?

In the process of creation, film creators do not know how much information they have repeatedly read, studied, and traveled to many places before they can let audiences watch a movie and have to look up dictionaries, read the Book of Mountains and Seas, and learn the connotation of Zhuangzi, no wonder " Dystocia" twelve years.


Twelve years, how long?
144 months, 4380 days.
The zodiac goes around once.
Life is counted in hundreds, and one-eighth of life has passed.
However, twelve years is the time for a "Big Fish and Begonia".

I think such "Big Fish and Begonia" should be born out of a cocoon and make an appointment with you.


PS: This is a comment that I didn't want to post, but I decided to post it out of my love for Big Fish. When the movie comes out with high-definition resources, I think we can continue to dig deeper. Although the big fish is not perfect, I believe she is full of hope and works hard enough.

View more about Big Fish & Begonia reviews

Extended Reading

Big Fish & Begonia quotes

  • Lingpo: What brings you to the Island of Souls?

    Chun: There's a soul I'm looking for: the soul of a human boy

    Lingpo: What time was it he died?

    Chun: It was two days before the wheat harvest.

    Lingpo: You need to be sure of the date. Otherwise you're searching for a needle in a haystack. So many die every day.

    Chun: I'm sure. It was my birthday.

    Lingpo: I know what you're trying to do, girl, and it goes against the laws of nature!

    Chun: I don't care. I've got to save him!

    Lingpo: The punishment is harsh for those who defy nature, no matter who you are, so you *should* care.

    Chun: But I owe him, for saving my life.

    Lingpo: How very touching. I've been stuck here for 800 years, and I'm still not done paying penance for my sin!

    Chun: But you didn't...!

    Lingpo: Don't interrupt! Let me tell you what real tragedy is. Meeting someone you care about so much you forget yourself and make a mistake. So then you go back and try to fix it and make things right again, and then you learn that fixing it's impossible.

    [chuckles]

    Lingpo: We can never undo the wrongs we've done. This I know.

    Chun: You're saying you won't help me?

    Lingpo: I'm saying I pity you. Besides, resurrecting someone from the dead doesn't come cheap.

    Chun: What would it cost?

    Lingpo: No less than a lovely girl's loveliest features: your eyes.

    Chun: [winces]

    Lingpo: [laughing] Now she's scared.

    [chuckles]

    Lingpo: Don't want to give up your pretty eyes, eh? All right, I'll take half your life instead.

    Chun: If that'll save him, take it.