"Wolf Totem": How to Look at Coyotes

As an adaptation of the original work, it is obvious that the novel did not have the weight of the film. For people and nature, the macro idea that everything has a certain number has not been shown. For the description of the original work, the movie still depicts too much character dialogue. There is no real reproduction of the scene to create the epic scene for us. The movie may be summarized with the plot of the human as the main line, and it does not bring out the importance of the wolf in the movie, which is simplified. Turning the process of man and wolves against each other into the main line of the film inevitably makes the film's thinking superficial. Magic, instead, continues to express the awe of the gods in the expression of Mongolian beliefs, but instead becomes less resolute. During the whole process, the content of the film continues to challenge the Mongolian people's recognition of Tengger's beliefs, and throughout the The humiliating compromise and obedience of the Mongolian people described in the process is really infuriating. Perhaps the director grasped the performance of people to define the nature of the film. Although the wolf is the theme, the content highlighted is the confrontation of human nature. The human atmosphere is still very touching. The film uses wolves as the medium, and uses the hostile relationship between humans and wolves to draw out the Mongolians and Han people, as well as the collision of ideas and understandings between people, and the mutual influence of love and hate intertwined with emotion and reason. The film is good at discovering and grasping all kinds of situations and reasons that can lead to human conflict, so as to achieve a situation where people's thoughts are overshadowed in terms of morality and emotion.

The director Jean-Jacques Arnold fully restored the description of the wolf in the original work, and also focused on creating the fierce but moderate nature of the wolf. The narrative further strengthens the importance of wolves as gods to the entire grassland and the entire Tengger, but the greed of human nature has broken such a balance, thus escalating the contradiction between the wolves to a mutually hostile relationship. The director has fully created several scenes to show us the greedy and ignorant side of human nature, so that we can fully feel the hateful and helpless reality, although everyone may have correct and rational in their hearts. Thinking, but once the interests and feelings are involved, everything becomes chaotic. As one side of the drama, the movie can well grasp and connect several small story plots, and behind each plot is so heavy that people feel heavy in their hearts, people have nowhere to release their suppressed emotions, and there is no way to weigh and balance the reality. The helplessness of grasping shows the director's ability to tell stories in film language. Moreover, the director is good at finding the breaking point of the plot of the story and drama, so that the plot gradually sublimates after gradually paving the way, so that people can feel the exciting moment from different angles and different emphases. It can be seen from the movie that the director is a very good storyteller. He can accurately analyze the different levels of meaning that the story wants to express, and in the shaping of the scene, it gives people the most real feeling. A realistic or close-to-reality angle to let us feel, first let us feel the truth and then affect the germination of our feelings, this way of reproducing the scene to feel the shock of being in it, let the film release Charm, unstoppable. The plot of the movie is not much, there are no twists and turns, and it is very simple and straightforward to show us. The director did not even bother to improve and adapt it. The more white things make people feel more intense, the unreasonable or even unreasonable facts are put in front of you without covering up, so that everyone can't deny that this is a completely existing reality, right and wrong, such as black and white. There are often oppressed positions, and sometimes you have to accept the reality that turns black and white.

As an actor's performance in the movie, it is the most simple and unpretentious interpretation. There is no competition in acting skills, and there is no element of fighting. Some are just the most ordinary and most realistic performances, and Feng Shaofeng, the protagonist, continues to play. His consistent style in drama films fully integrates the characters' feelings into the characters. No matter what kind of situation we encounter, the first thing we can feel is the emotion he releases, which makes people feel very sincere and credible. It feels real and moving. His performance makes us feel real, makes us believe and integrates into the environment in the movie, and leads us to put ourselves in his shoes and experience the feelings in his heart, thus triggering the emotional resonance between the movie and the audience, which also shows that he The performance is very emotional. As Dou Xiao's performance, it is regarded as a vase, but the concept behind the vase is the effort of performing with heart. The most outstanding performance in the movie is the annoying villain, the grass field manager Yin Zhusheng. No matter how much you hate him, his role has made him live. If you don't accept it, there is an image of a manager who can't resist it. It is really deeply awakened, and it is the most powerful performance in this movie.

Is it really possible to grasp the prairie wolves? How to look at and understand the prairie wolves? Is it as awe-inspiring as the legend of Tengger, but they can't escape the fate of being hunted and killed. Uncompromising, even if the only way out is death, it will not choose to be enslaved and pity its fate. It is a strong man, but also a warrior. The kind of toughness and counterattack they show is quite direct and powerful. We should respect this spirit and try to worship the so-called wolf totem.

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