I mentioned in another film review that the Coen brothers like to glue the loser in the usual sense to the winner in a certain way to create drama.
I like this film less than The Man who wasn't there. No reason. The connection between the winner and the loser is a little bit far-fetched: my dear lebowfski unfortunately has the same name as the city’s rich man, but was made up by a group of little A Fei. Wrong, I found the door. Lebowfski found the rich man of the same name and claimed that he had damaged the carpet of the same name.
Not to mention the group of German Affiys who were inexplicably looking for the wrong target at the end of the movie and asking for money, the movie's viewability is still quite high. Originally, the Vietnam War veterans were a group of unlucky people who were inexplicably sent to death by the government. Coupled with a lebowfski who was basically drunk, we found that the life of the bottom people in the United States can basically drop: at least unemployment can play bowling (although It's the only entertainment), it's better to get drunk and quarrel with ball friends than our working people. Of course, the gap with the so-called winners is also huge, and it is inevitable to be manipulated by a big man. In the end, he is required to buy the urn at a high price when he takes a friend's ashes, and he can live up to the hapless standard. Unlucky, poor and happy, in the end it can only be like this.
This drama should belong to the genre of like-it-or-hate-it. I privately think that the rhythm is not as good as The Man and the two recent ones. For the other three, I don’t feel tired from the beginning to the end. This is occasionally There is still the urge to fast forward, although it can be restrained. As a joke, the more rooted in American culture, the more funny it will be. I should have missed a lot of it. Mainly, the essence of this movie should be dialogue. There is nothing to say about the plot. The characters are also a little bit masked. Give it a four-star.
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