Korean politics is a piece of shit, and related movies are just a public toilet, no matter how magnificent, the insides are rotten and smelly. Korean people go in to vent and come out feeling comfortable, but in fact, nothing has changed. How can so many films that so-called expose the dark side of Korea be shown? Let me ask, what happened to Roh Moo-hyun, who was the prototype of the protagonist of the movie? How many of the South Korean presidents have died peacefully?
This kind of movie, in essence, I think is not far from the Marvel movie, poking people's cool points, deceiving a wave of resonance and tears, venting the resentment in your heart, and then you can have a good future for yourself. fantasized. This movie gave me a familiar feeling, and then I watched "The Furnace", and there were also defense plots in the back, and the middle and later stages were basically focused on the court. However, the lawyer in "The Defender" is the protagonist, but when he roared out the content of the Korean constitution in the courtroom and pressed the defendant, the effect of mobilizing the audience's emotions was the same as that of Jin Yandou in "The Furnace". Raising hands in Cao Chengmo's "Tree of Thorns" is almost the same. And no matter how impassioned the early stage was, the final trial often ended in haste, and there was no way to push it to the top. It seems to be the final helplessness after hard work. In fact, the screenwriter just wants you to have an illusion in the middle - maybe you can win? In the end, there is a very strong gap - this can't be won? Of course not, the screenwriter knows it, the director knows it, and in fact Koreans know it, but everyone wants to look at the light above their heads and in the distance in despair, and fall into the abyss. When you feel uncomfortable, and in order to appease you, an ambiguous plot is arranged for you on the existing results. In "The Defender", 99 lawyers are present, and it's really justice. Has the original judgment been changed? "The Crucible" is "We fought all the way, not to change the world, Instead of letting the world change us", the world has already made a judgment, I don't want to judge whether there is a future, but in the past, those children have not been given justice, they can't come back. Both movies are well told The story, as the title emphasizes, is only an "adaptation", it should be presented, something that is stuck between the excitement of the Korean people and the acceptance of the consortium. It is not that such a film is made, it represents the country No matter how enlightened, maybe it is impossible to make more films than this, so I dare to shoot. I think Koreans know the truth that blocking is better than sparse. Going back to the film itself, this is a typical Korean film, it is A good movie. Gloomy tone, cloudy plot, "Parasite", "Sowon", "The Furnace" have some of them more or less. I think the most brilliant is of course the one about 1h after the beginning of the film The long shots that appear are coherent and smooth, in one go. What's even better is that the jitter of the lens does not affect the viewing experience at all, but helps the viewer to integrate into the film. That jitter is Song Youshuo's anger and the shock of the viewer. I can't stand a storyboard and a trace of stability. What's more classic is a "moment" in Korean movies that always touches. For me, it was the aunt who said "mortuary", it was Song Yingfan and the child suddenly raised his head. In this movie, it It can grab people's hearts in an instant. In the end, I have to praise Song Kanghao's acting skills, not only the eyes in the long shots are red with anger, but also the acting skills of raising and lowering his eyes lightly. This film gives people a sense of substitution, and the actors have made outstanding contributions. In addition, the screenwriter should add a king crab and crab legs. I have always felt that it is difficult to express the complexity of a character, and it is difficult for the transformation of temperament to appear in the limited space of the film. It's smooth. But the film is very successful. It doesn't show Song Zhuli while giving up his beliefs and human feelings. In the end, he is not a so-called small person who is transformed into a hero, but more driven by emotion. It is gratifying to move forward. Moon Jae-in said in his speech on "Parasite", "In the future, the Korean government will further provide an environment for filmmakers to use their imaginations and make films without hesitation. "I, hehe. It is gratifying that it is not a so-called small person who is transformed into a hero, but more driven by emotion. Moon Jae-in said in his speech on "Parasite", "In the future, the Korean government will further provide an environment for filmmakers to use their imaginations and make films without any worries." I, hehe. It is gratifying that it is not a so-called small person who is transformed into a hero, but more driven by emotion. Moon Jae-in said in his speech on "Parasite", "In the future, the Korean government will further provide an environment for filmmakers to use their imaginations and make films without any worries." I, hehe.
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