reasons for ghosts. In the past, ghost films have always exaggerated the atmosphere of horror, designed too many scenes of horror, while ignoring the whole movie. The theme of a movie is often not remembered much after watching it, and watching horror movies is purely just to pursue the thrill of being frightened. Sorry, my heart can't bear to watch horror movies just to be frightened when I am old.
Occasionally One afternoon in between, it was really boring, I turned on the pps, and I could only see this movie, and I was attracted by its introduction, so I clicked to watch it.
I recommend this movie because it makes my eyes shine, The plot is compact and not procrastinating, and every bridge segment is connected very naturally. The gloomy and damp tones from beginning to end and the sluggish demeanor give people a feeling of depression. This film does not have the nonsensical meaning of traditional Hong Kong-style ghost films, nor does it The horror atmosphere is rendered like a Japanese and Korean ghost film. Every scene of ghosts and zombies in the film is just right, getting rid of the long and empty dialogues of Hong Kong films in the past. The appearance of each character in the play is clear and distinct. After watching the whole film, You will find that you don't care how scary it is, but follow the state of the characters in the play step by step into the emotions brought to you by the plot, from Aunt Mei making her living wife a model to mend clothes, to Aunt Mei mending her dead wife Clothes and talk about the family as usual, what makes people unforgettable is the nostalgia in Aunt Mei's eyes, the reluctance, distressed but hopeful eyes, just like she would pick up dried flowers to raise and bloom at home, she hoped that her wife could be resurrected , (Is it also a metaphor for the hope that zombie movies can be resurrected?)
What surprises me is that the director of this film is actually Mak Junlong. In my impression, it still stays in the image of the rich second generation in the gossip magazines a few years ago. , but did not expect him to direct such an excellent
film. There is no doubt that this film pays tribute to Lin Zhengying. In the film, Ah You said: "As of now, there are no zombies anymore," I am afraid it is also a metaphor for the real Zombie movies are disappearing with Lin Zhengying's departure.
Mak Junlong has well combined the traditional Hong Kong-style tone for the film, the interpretation of ghosts in Japanese and Korean horror films, and the violent aesthetics of European and American horror films, making a laudable zombie film in recent years, which is worth watching.
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