I want to talk about the inadequacy, because this building wants to be stuffed a little bit full, which leads to the plot reaching the middle and latter stages and people can't find the point. Actually, it is understandable, but the main reason is that Qian Xiaohao has been too characterful since he appeared on the stage, so that he only It's a pity to be a part of the group portrait, and the role of Hui Yinghong has not played well, but it is not easy to make other characters impressive. The final dissatisfaction is that at the end of the film, it is too difficult not to make people think of "stay", in short, it did not touch the point of aftertaste.
In terms of the main scene of the genre film, whether it is the brilliant electronic soundtrack, the depressing atmosphere, the Japanese, American, and Hong Kong-style monster settings or the stylish lens processing, there are several aspects of the side expression of the violent scene that are too similar to Bao Qijing's acting skills. Especially the death of Xiaobai, but it is still enjoyable to watch. I can only say that I like the gold, wood, water, fire and earth at the end of the war.
Its preciousness is not in nostalgia, but in the feeling of being novel enough in those declining eras. I feel that there are still people in Hong Kong films. To be honest, I like "Zombie" better than "The Grandmaster". In fact, it can be renamed "Generation Zombie" and "Generation Zombie". If Mak Junlong is interested in making it a 4-hour zombie literary film, There are two more lines, each of which is explained clearly and finally in the 4-hour film so that it is not flooded at all as it is now, that is enough to leave a name in history haha.
Finally, I think Mak Junlong has created a new type of film, Jiang Wenpian (zombie literature and art), which is awesome. surprise.
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