The whole film depicts the characters' psychology very delicately. I prefer those simple ones. The picture is very beautiful. But there are some interesting things in Yamashita that I don't understand. For example, when Yamashita recalled the whole process of killing his wife, he said to himself, maybe there was no such informative letter at all, and I was jealous. ^^^^^^^^ It's hard to understand. Also, when Yamashita was talking with Manyu, he fantasized about struggling in the fish tank and the heroine's dream. I don't like these two scenes. I always find it a bit ugly and obscure. The problem of understanding. These two scenes, combined with the more depressing and treacherous (inappropriately written) soundtrack at the time, caused some psychological discomfort at the time. Then there is the general nature of Japanese movies, and the sexual scenes are more explicit. I don't like it very much. Xiaofeng would have thought I was watching an H-movie if he saw it.
Apart from these, the shots are very concise and concise. I especially like the part where Yamashita took Keiko to the hospital, where the old-fashioned bicycle passed the country road and passed the broken road. The bridge, passing through the busy highway ^^^^^^^^^ The simple shots and the simple soundtrack made me feel the love that cannot be imprisoned in the heart of the imprisoned. When the people around me are hurt, I feel inexplicable in my heart There will always be unconscious emotions flowing naturally in the corners, and you will be very warm and moved. Is Keiko's love clearly and firmly formed at this moment? Enclosure and captivity are for those who still have love and warmth in their hearts. People are temporary, because the one in their life can always let love break the barrier of that layer of disguise at the right time, and then overflow the world of two people. So when Yamashita raised his fist, When the eel finally returned to the ocean, I stubbornly believed that Yamashita's love was redeemed and liberated.
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